Laibach are set to release An
Introduction To… Laibach / Reproduction Prohibited, on November
6th, 2012, following their recent Iron Sky OST record.
Opening with their interpretation of Mute’s first release,
The Normal’s Warm Leatherette(here translated as Warme
Lederhaut) Laibach premiered the track at the Short Circuit presents
Mute festival, Roundhouse in May 2011. An Introduction To…Laibach /
Reproduction Prohibited’s tracklisting demonstrates Laibach’s unique
take on the cover version. It’s a window into Laibach’s own view of pop music,
and to the humor that permeates their work.
Reproduction Prohibited features two
tracks off of 2006’s release, Volk. This was Laibach’s first
album of reinterpretation of national anthems, which uncovers the violence and
innate pop sensibility of the national anthem-the ultimate pop song. Here, Germaniareinterprets
“Das Lied der Deutschen,” originally written in 1797 and used as Germany’s
national anthem after World War I at the time of the Weimar Republic, while Anglia uses
John Bull’s “God Save The Queen” as its inspiration.
Mama Leone, perhaps not familiar to many in its
original version, sold over 20 million copies when covered by Bino in the late
70’s. B Maschina, written and performed by popular Slovenian rock
group Siddharta, who asked Laibach to remix or remake their song, was
originally released on 2003’s WAT. An additionally remixed version
is also featured in the IRON SKY soundtrack, a dark
science fiction comedy about Nazis invading earth in 2018, after escaping to
the Dark Side of the Moon in 1945.
Check out the trailer here: http://youtu.be/Py_IndUbcxc
Pop references itself when Laibach take on Juno Reactor’s “God
Is God,” which was influenced by Laibach’s cover of Austrian group Opus’
“Live Is Life”, included here in English ‘symphonic’ version (titled “Opus Dei”),
and in German version, translated as Leben Heisst Leben. Laibach’s
version of “God is God” was also released before Juno Reactor’s
released their own, so many people still believe that Laibach’s version is the original one
and Juno’s version a cover.
Elsewhere on the album, Laibach tackle The Beatles and
Queen. Taken from Laibach’s albumLet It Be, Across The Universe and Get
Back both feature, and Queen’s hit song “One Vision” is here
translated into a German Geburt Einer Nation (The Birth of
the Nation).
Bruderschaft, written by Laibach is included here as
a double twist cover. Laibach were invited to cover a
Kraftwerk song for a compilation. But instead doing a straight Kraftwerk cover,
the band decided to rearrange Laibach’s own - original - song from 83’, known
as “Brat Moj” (Brother of Mine) in German, with the carefully reconstructed
Kraftwerkian sounds.
“The cover version can be seen as a cynical populist
tactic by artists lacking in originality, a gesture of contempt or as a
respectful example of good taste and seriousness. Laibach's open rejection of
originality makes the first view irrelevant and the new originals are too
ambivalent to be either entirely contemptuous or totally respectful. A
Laibachised song is sometimes more kitsch, sometimes more serious and sometimes
more emotional than the “old original” it is based on. Laibachisation re- and
de-animates a song, reviving it for long enough to dispatch it again.” –
Alexei Monroe, author of Interrogation Machine: Laibach and NSK, from the
Reproduction Prohibited sleevenotes
The cover art of the ‘An Introduction To…Laibach’,
titled ‘REPRODUCTION PROHIBITED’ was painted by member(s) of the group
in 1981 as the interpretation of the famous Rene Magritte’s work, ‘Not to be
Reproduced’, from 1937.
The mirror, a fragile and sometimes distorted reflection of
reality, was of great interest to Magritte, as it is to Laibach. When
viewing one of his images, or when listening to Laibach’s covers, there is a
sense that a content, placed within a frame/the context, might, by a twist of
perception, be seen as a reflection in the mirror, a perception that suddenly
turns the space of the picture/song inside-out.
By quoting and interpreting this significant work by
Magritte, Laibach offer a clear explanation, solving the riddle of
understanding their method, their philosophy and their humor in cover versions,
as we hear them presented on this album.
REPRODUCTION PROHIBITED TRACKLISTING
WARME LEDERHAUT – cover of The Normal’s Warm Leatherette
BALLAD OF A THIN MAN – cover of Bob Dylan
GERMANIA – Version of German national anthem, from the
album Volk
ANGLIA – Version of British national anthem, from the
album Volk
MAMA LEONE – originally recorded by schlager legend Drafi
Deutscher, made famous by Bino
B MASHINA – remixed version featured on Iron Sky OST,
written by Tomi Meglic (Siddharta)
BRUDERSCHAFT – Laibach composition, from Trans Slovenia
Express Vol. 2
GOD IS GOD – by Juno Reactor, originally inspired by Life
Is Life, from Jesus Christ Superstars
FINAL COUNTDOWN – classic Laibach cover, originally
recorded by Europe
ALLE GEGEN ALLE – originally recorded by labelmates DAF
ACROSS THE UNIVERSE – originally recorded by The
Beatles
GET BACK – originally recorded by The Beatles
LEBEN HEISST LEBEN – cover of Opus’ Live Is Life, from
Opus Dei
GEBURT EINER NATION – cover of Queen’s One Vision, from
Opus Dei 1987
OPUS DEI – cover of Opus’ Live is Life
With a tracklisting chosen by Laibach, Reproduction
Prohibited is the newest in the An Introduction To… series.
Neither a “best of” nor a “greatest hits” An Introduction To…is
series of compilations giving a revealing introduction to the world
of Mute. The artwork is by Laibach Kunst, with sleevenotes by Alexei Monroe.
“Laibach at their best blur art and confrontation”
– The Guardian
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