Tuesday, November 20, 2007

White Rabbits End 2007 With Best New Artist Nomination for Plug Awards, Top 20 on Metacritic Best of The Year & MTV U’s The Freshmen Five

Winter Celebration At Bowery Ballroom December 13th with Harlem Shakes
Debut LP "Fort Nightly" Out Now on Say Hey Records


Say Hey Records thanks everybody who supported White Rabbits this year. It has been a fantastic ride for the sextet, with a debut TV performance on Late Night with David Letterman, sold out shows with Tokyo Police Club, The Pogues, Peter Bjorn & John, & the Kaiser Chiefs, a Glastonbury performance. And to top it off White Rabbits have just received a Best New Artist Nominationsfor this years Plug Awards (TBA February 2008), reached Top 20 on Metacritic, and will be featured on MTV U’s Freshman Five. Come celebrate their last show of the year at the Bowery Ballroom on December 13th with special guests Harlem Shakes & the Subjects.

White Rabbits come to NYC via the arid plains of the Mid West. Although they have been in The City for just over a year they have, in that sort interval, managed to catch the attention of Say Hey Records and producer Chris Zane (Calla, Asobi Seksu, Les Savy Fav) with their stellar songwriting ability and instrumental aplomb.

Lead by dual vocalists, Greg Roberts (Guitar / Vox) and Steve Patterson (Piano / Vox), the 6 piece is rounded out by Alex Even (Guitar / Vox), Adam Russell (Bass), Matt "The Duck" Clark (Drums) and Jamie Levinson (Percussion). With a certain joie de vive, playfulness and charm White Rabbits thematically evoke the more decadent and bygone era of days spent on the green, old cinemas "Tourist Trap", tragic mothers "Navy Wives", and restrained, but no less awkward domestic disputes, with the first single, "The Plot".

Added to their arsenal are 3 part vocal harmonies that texture the album throughout. White Rabbits even showcase the occasional group chant, best exampled on Fort Nightly's opening track "Kid On My Shoulders" as it thunders to it's conclusion. White Rabbit's penchant for more tropical excursions such as on "I Used to Complain Now I Don't", featuring the horns of Beirut's (Jon Natchez), are, at times, reminiscent of The Specials or Madness.

The band also has a keen ear for the occasional cover song, and the old instrument switcheroo on stage. Anyone who has had the chance to see White Rabbits live will be able to attest first hand to the joy and effervescence that they exude on stage. True camaraderie in fact. Their sets have gained the band a large and growing audience and led them to share bills with Peter Bjorn & John, The Walkmen, Richard Swift and others. A full tour is planned for the late spring as well.

White Rabbits have succeeded in realizing a tremendously vibrant and creative debut record with Fort Nightly. They communicate joy without being cloying or saccharine sweet, and the listeners could easily find themselves clapping along to any one of the darker moments. White Rabbits combine style and panache, both musical and personal, for a thoroughly fresh and unexpected experience. This is certainly one to follow though the looking glass…

1 comment:

4indie said...

The White Rabbits are being featured on mtvU’s Backstage Pass:
http://www.mtvu.com/music/backstage_pass/