Tuesday, January 14, 2014

Cities Aviv shares new music video + Announces tour dates + LP due 1/28/13


Watch: "Don't Ever Look Back" - http://vimeo.com/79770985


Cities Aviv has shared the Rimar Villaseñor-directed music video for the RPLD Ghosts-produced "Don't Ever Look Back" which will appear on his third album, Come To Life. Regarding the video, Cities Aviv says, "This piece was meant to speak as a coordination between the internal and extraterrestrial nature of portals. If Come To Life is to be the total mantra, then this piece stands as its title track in that it embodies the personal crossover one must take to step out of one's self. Merge with the void and don't ever look back."

Additionally, Cities Aviv is proud to announce new tour dates including a Brooklyn date with Maria Minerva and a short East Coast run with support from Mind Dynamics, album collaborator Abdu Ali (in Baltimore) and other support.

Tour Dates:

1/21/14 - Brooklyn, NY - Baby's All Right * 
2/4/14 - Washington D.C. - DC9 !
2/5/14 - Baltimore, MD - Metro Gallery @
2/6/14 - Philadelphia, PA - The Barbary #
2/7/14 - Cambridge, MA - The Middle East (upstairs) !

* w/ Maria Minerva
! w/ Mind Dynamics
@ w/ Mind Dynamics and Abdu Ali
# w/ Mind Dynamics and Suzi Analogue
Previously:

Watch: "URL IRL" - http://vimeo.com/81400902

Cities Aviv first garnered attention in 2011 with his debut release Digital Lows, in which he created a lush soundscape by casting an array of musical influences, along with the rich heritage of Memphis rap, into the alchemical cauldron and set it to boil. Digital Lows
attempted to shine light into the murky depths of interconnected living in the material plane, and explore the detritus of a technological life, while also lyrically conveying the growing pains of the new self. 2012's Black Pleasure, sonically challenged listeners, as the rich tones of Digital Lows began to deconstruct into a blown-out and gritty resonance, transporting listeners to a separate reality where the lines of pleasure and pain are entangled and debauch is the natural order. Amid this chaos, Aviv pummeled listeners with an appeal to assess their own realities, habits, and processes, and asserts that "Life is Real," a seemingly simple statement, yet a fact that is often taken for granted. His third album Come to Life sees Aviv come full circle- finding a balance amid the turbulence of burgeoning adulthood in the URL and IRL, and arising from the transformative flames as a harbinger of the new paradigm. Aviv's street gospel stylings affix themselves in union with the eternal essence, and exist outside of the confines of trend, genre, or time-signature, flowing organically within the digital corridor. While his work will forever remain personal, Come to Life is also universal, and petitions listeners to reclaim their individualities, their dreams, and their true desires. Cities Aviv is Wilbert Gavin. Life is real. Come to Life.

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