Following a successful run of high profile shows in the U.S.--as a main stage headlining act on this year’s Vans Warped Tour--as well as overseas, UNDEROATH have extended their fall headlining run through November. The trek will take the band through 37 cities, kicking off September 22 in Houston with Every Time I Die, Poison the Well and Maylene and The Sons of Disaster will be supporting.
Renowned for their experimental and frenzied live performances, the critically acclaimed sextet--UNDEROATH--will bring a unique stage and lighting set up for a one-time-only concert experience highlighting the group’s juggernaut gold-certified third album DEFINE THE GREAT LINE (Tooth & Nail/Solid State). The fall trek will be filmed for a live concert and documentary DVD, release date is tbd.
The group continues to evolve with a wave of critical recognition for their progressive sounds coupled with soon-to-be legendary performances:
“Underoath were the headliners-a Florida-based metalcore band with punishing bass and drums, crunching guitar, occasional odd keyboard whooshes and a horror-movie tinge to singer Spencer Chamberlain’s delivery that all give the religious themes of the lyrics universal appeal.”
--PROVIDENCE JOURNAL, RI--August 10, 2007)
“[The Define The Great Line disc] proved to be one of the most innovative and wrenching in recent heavy music history. The eleven tracks boast the chug-chug of darker strains of hardcore, the screeching riffs of classic metal, and jarring passages of expansive ambient. The rhythm section is wildly propulsive, but the mix also includes the skittering, burbling synth fills of keyboardist Christopher Dudley. Then there are Chamberlain's vocals, both jarring and nuanced. He's a striking physical presence, as well--slight, with shoulder-length dark hair and a patchwork of impressionistic tattoos. He could be Anthony Kiedis's underfed kid brother. Which is why the howling modulations he coaxes from his voice box are so startling. Chamberlain can deliver a piercing peal of notes, then suddenly shift gears to a bottom-of-the-belly growl that induces goosebumps. “
--Arielle Castillo, MIAMI NEW TIMES (Miami, FL, 3/15/07)
”The sextet had a level of energy onstage that would go unmatched the rest of the night as they blazed through hits like ‘In Regards to Myself,’ ‘Writing on the Walls’ and ‘A Moment Suspended in Time.’ Those tracks helped their most recent [Define The Great Line] album sell more than half a million copies.
Front man Spencer Chamberlain and drummer/vocalist Aaron Gillespie took turns firing off vocals while the trio of guitars battled it out. But nobody was as crazy as keyboardist Chris Dudley. Even in the parts of the songs that didn't involve his instrument, Dudley engaged with the crowd and danced like he was engulfed in flames.”
--Matt Wilkinson, DAILY 49er (Long Beach, CA--Cal State Long Beach, 3/22/07)
“…high-wattage, cathartic fun.”
--Sean Piccoli, SUN SENTINEL (Ft. Lauderdale, FL, 5/18/07)
“[Define the Great Line] added melody and more dynamics without sacrificing the intensity of the sextet's metal-hardcore hybrid. Nothing, however, compares to the band's writhing live performances.”
--METRO TIMES (Detroit, MI, 3/2/07)
“a heady blast of Radiohead-damaged screamo jams.”
--CITY PAGES (Minneapolis, MN, 3/4/07)
“…when all six members of Underoath cranked up the loud last night, I was unexpectedly moved. Officially, half of Underoath are singers, but twiggy frontman Spencer Chamberlain does the most wailing. And somehow, even when his screams are garbled, whatever pain, frustration or hope (‘pull yourself together, man’) that he’s communicating comes out true. This is a rare thing in a genre full of aggressive emotion that too easily turns cliché. Sonically, Underoath’s music is about as grind heavy as it gets, except when Gillespie chimes in from behind his drumkit with a particularly melodic chorus. Chris Dudley’s keyboard work aids in the accessibility factor. But even when the songs last night were chaotic, there seemed to be something unseen that the musicians--and capacity crowd--held onto.”
--Crystal Wiebe, THE PITCH (Kansas City, MO, 3/10/07)
“Next up was the strongest act of the night, Underoath. Playing a set that was surgically precise in nature, Underoath walked a fine line between well-trod tracks off 2004’s They’re Only Chasing Safety and their newer, more atmospheric material on new LP Define the Great Line. Expansive and stark, the newer songs show a maturity well beyond most of Underoath’s peers.“
--Mark Hensch, ANTIMUSIC.COM (6/07)
“…hard rock has given way to blends of emo, hardcore and metal, opening the door for a melodic metalcore band such as Underoath to seize the stage. Its incendiary live show probably makes a difference. And while you might be surprised to discover a keyboardist in a hardcore act, doubts dissipate watching Dudley bang his blond locks and pound the keys…”
Chris Parker, CREATIVE LOAFING (Atlanta, GA)
“The trials and tribulations of Underoath have been many...But these have only galvanized the remaining members, and contributed to their development as one of the most dynamic hardcore bands. The fact that they’re part of the Christian metal scene is beside the point--these guys deal in progressive cathartics that place faith as but one (albeit the most important) dimension.”
--T.E. Lyons, LEO WEEKLY (Louisville, KY, 5/17/07)
UNDEROATH, Los Angeles area shows:
Sat
9/29
Irvine, CA
Cornerstone Festival @ Oak Canyon Ranch
Fri
10/5
Los Angeles,CA
The Wiltern LG Headlining show
Sat
10/6
Bakersfield, CA
The Dome
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