As they closed their most recent North American tour in support of their debut LP ZABA (released in June via Harvest), Glass Animals stopped by Late Night with Seth Meyers and KCRW's 'Morning Becomes Eclectic' for performances. The band played ZABA single "Gooey" on Late Night and graced KCRW with a majority of the album. Those performances came on the heels of Monday's appearance on REVOLT Live, on which they performed "Gooey" as well as their recent rework of "Hazey" alongside Atlanta's Rome Fortune. Check out the band's performances on Late Night with Seth Meyers and 'Morning Becomes Eclectic' below.
WATCH: "Gooey (Live on Late Night with Seth Meyers)" -
LISTEN: Glass Animals on 'Morning Becomes Eclectic' -
About Glass Animals and ZABA:
ZABA was released on June 10th via Harvest Records. The album was recorded at Wolf Tone Studios in London, and produced by frontman Dave Bayley under executive production of Paul Epworth. The 12 track record features new single "Gooey" and a reworking of previous limited EP release, Black Mambo.
The bare bones of Glass Animals' first songs took shape late at night - inspired by South London's bass music scene - recorded secretly and quietly in a small room near Elephant and Castle. Surprisingly for everyone, the result was a beautiful piece of ambient electronica called Golden Antlers, pitched somewhere between Anthony & the Johnsons and James Blake.
Eventually this was shown only to Dave's three closest friends, now band mates, who tweaked it and pinched its haunches a little before they put it onto the Internet. In the late spring of 2012 the band released a single on XL's Kaya Kaya imprint. A year later, with "Black Mambo," they became one of the first signings to Paul Epworth's Wolf Tone label.
Created between Epworth's own studio and Dave's bedroom, it is undoubtedly among this year's most striking debuts. The title, lifted from Dave's favorite childhood story, comes from William Steig's The Zabajaba Jungle. Steig's evocation of childhood adventure, exoticism and discovery is brilliantly fresh. ZABA is one complete beast and a journey you will get most from if you immerse yourself fully and listen from start to finish. "The sound of the record," Dave says, "is like a backdrop of man-made wilderness..."
Influenced by the exploratory, New World scenarios of Apocalypse Now, The Island of Dr Moreau, Heart of Darkness, The African Queen and Mosquito Coast, ZABA's songs tackle the humanization of nature and human interference with nature. "Even now a lot of my favorite books are those books that I grew up with," he says. "Things like Zabajaba, like Roald Dahl, like Wind in the Willows. I suppose all I've been doing is using those little creatures and animals to cover up what I really meant, to disguise who and what I was really talking about."
Inspired by Kanye West and Charles Darwin, Nina Simone and the Velvet Underground, ZABA is a rich and textured work, a very special record indeed. With Dave producing and Epworth as A&R and mentor, the studio became their home and the band were free to record, improvise and write at their own speed, making their sound a bigger, brighter, heavier and more intense experience than ever before.
The first single, "Gooey" is wobbly and child-like, a hymn to naivety. "There's a confidence in the way children act," Dave says. "I was trying to push that confidence into the beat." Walla-Walla goes back to Dave's love of Timbaland and Dr. Dre, while Intruxx, initially the introduction to the entire record, summarizes this entire new world you're entering.
"I used to be really into super-clean, no flaws production," says Dave, "but now I like the context and soul that mistakes, chopped samples, and swirly white amp-noises give you.... We definitely were a bit self-conscious, we were once afraid to do something bold. Now when we're together in the studio we don't worry about those things. In fact, we don't worry about anything at all..."