Onuinu
When asked about his music, Onuinu's Dorian Duvall speaks
deftly, using technical terms with great precision. However, when a listener is
caught in the throes of his debut full-length, Mirror Gazer, it is
nearly impossible to maintain such a steady mental discourse. Each song is
teeming with raw wood grains over which to run your fingers and exposed rafters
through which to follow countless reverberations. It is a sprawling, mixed-use
space where ambient electronica, hip-hop and house music convene to talk in
circles about the universe, and frankly, for Duvall, it's just the beginning.
Reared in a quaint suburb of Cleveland, Ohio, Duvall was
brought up in a household well-acquainted with the ways and means of music. His
grandparents--perhaps better known by their stage names, Mr. and Mrs.
Eighty-Eight Keys--laid the groundwork; they spent the better part of the 50s
touring the country together as a gospel/honky tonk act. As a result, he spent
every Sunday morning of his childhood upright in the front row pew while his
grandma played and his mother sang in the choir. Of course, there were a few
encounters with organized sports, but Duvall eventually became attuned to his
musical roots and, at age 15, traded in his breathable jerseys for a guitar.
From there, his evenings were spent in his bedroom, honing his skills for an
imaginary audience.
According to Duvall, he had always pictured himself staying
in Cleveland; the city sustained him culturally and artistically. Thus, when he
moved to Portland, Oregon in 2005, it was for a scholastic pursuit with a
perceived end date. Though, when in school, he was faced with the scenario that
many creative people find themselves in when they impose academic theory upon
their art form; "I was interested in composition, but I wasn't sure I
should spend all that time and money studying it when I could just do it,"
Duvall says. And so, he resigned himself to working and playing in various
bands, with intentions of growing as a musician.
Throughout this time period, guitar was still his primary
instrument. However, Duvall found himself engaged with music that he felt was
properly utilizing electronic instruments; "I bought a sampler and started
experimenting, and the guitar fell by the wayside. It was just more fun; I had
more options and more freedom to make create different sounds and
textures," says Duvall. With his newfound range fully actualized, he took
to an eight-track machine and recorded a handful of songs to be sputtered to
rewindable film and released by Portland-based, all-cassette label Apes Tapes.
In the meantime, though, his songs were drumming up far too much attention to
be destined solely for a novelty item's playback.
Thus, with the backing of Portland's ever-nurturing music
community, Duvall took to KBC Studios in Northeast Portland with engineer (and
now, touring drummer) Jeremy Sherrer. Together, the two laid down the tracks
that Duvall had meticulously planned out beforehand, and captured them to tape.
"I chose all of the sounds and made all of the beats," Duvall says of
the process, "but Jeremy really enhanced the quality of the recording and
took my songs to another level." After all of the sounds were in place,
the vocals were recorded at The Auditorium--home to Portland's Dandy
Warhols--and all of the post-production magic occurred at Sherrer's home
studio, Spooky Electric. It took some serious heart from all parties involved,
but such is the unwavering metronome that keeps this album on beat.
And in regards to those beats--you know, the ones that
permeate the entirety of Mirror Gazer and with it, your whole
being--it so happens that in Onuinu's creative world, they emerge first.
"Mostly, I'm focussed on making the beats; the vocal melodies, the
harmonies, everything else just materializes from there." Thus, you can
hear the way the music yields to its backbone; synths swirl around freely and
adhere like tendons to its discs, all while causing a surge of dopamine to
flood your own spinal column. Songs like "A Step in the Right
Direction" and "Ice Palace" feed straight from the live wires
that light European discotheques into the wee hours, while "Mirror
Gazer," with its many bridges and tunnels, feels like more of a prog-rock
production experiment a la Brian Eno. The lithe "Always Awkward"
calls upon the ghosts of old-school hip hop and an open highway, and "Last
Word" marches valiantly into slow jam territory.
Fresh from his first tour with YACHT, Duvall is now ready to
share his rather precocious and exciting export with new audiences; this
includes you. Therefore, it's best that you find yourself a nice
observatory--preferably one equipped with high fidelity speakers--and allow
yourself time to get lost in Onuinu's musical landscape.
What the press is saying about Onuinu:
"The dreamlike quality of synths mixed with his airy
vocals help to create that feeling of warm memories and a fond remembering,
which most of us have for our childhood retreats." - FILTER
"You don't typically think of dance music or bedroom
pop when you think of Portland do you? I agree, but it looks like the
one-man project Onuinu aims to change our minds this year." - Austin
Town Hall
"Lyrically, Duvall is as coy as he is in person,
hiding lines like "I never wanted to be alone/ I just want to stay and
talk to you" behind reverb. But the low bubble of bass; funked-up guitars;
wandering, Bernie Worrell-style synth melodies; and hip-hop-meets-IDM beats
speak volumes on his behalf." - Willamette Week
ONUINU
7-11 Montreal, QC - La Sala Rossa *
7-12 Portland, ME - Port City Music Hall *
7-14 New York, NY - Webster Hall *
7-16 Pittsburgh, - Rex Theater *
7-17 Columbus, OH - Ace of Cups *
7-12 Portland, ME - Port City Music Hall *
7-14 New York, NY - Webster Hall *
7-16 Pittsburgh, - Rex Theater *
7-17 Columbus, OH - Ace of Cups *
7-18 Milwaukee, WI - Turner Hall Ballroom *
7-20 Seattle, WA - Capitol Hill Block Party
9-6 Portland, OR - Music Fest NW - Doug Fir Lounge
10-15 Santa Barbara, CA - Soho Restaurant & Music Club ^
10-16 San Luis Obispo, CA - SLO Brewing Company ^
10-17 Sacramento, CA - Harlows ^
10-19 Eugene, OR - WOW Hall ^
10-20 Bellingham, WA - The Wild Buffalo ^
10-21 Spokane, WA - A Club ^
10-22 Pullman, WA - Bellflower Concert House ^
10-23 Boise, ID - Reef ^
10-25 Salt Lake City, UT - Kilby ^
10-25 Salt Lake City, UT - Urban Lounge ^
10-27 Denver, CO - Bluebird Theater ^
10-29 Lawrence, KS - The Granada Theatre ^
10-30 Columbia, MO - The Blue Note ^
10-31 Tulsa, OK - Cains Ballroom ^
11-1 Little Rock, AR - Revolution Music Room ^
11-2 Dallas, TX - Trees ^
11-5 El Paso, TX - Lowbrow Palace ^
11-6 Santa Fe, NM - Sol at Santa Fe Brewing Company ^
11-7 Phoenix, AZ - The Crescent Ballroom ^
11-8 Flagstaff, AZ - The Green Room ^
* = w/ Tycho
^ = w/ Starfucker
Onuinu
Mirror Gazer
(Bladen County / Bad Cop Bad Cop)
Street Date: September 11, 2012
Formats: CD / LP / Digital
1. Mirror Gazer
2. Always Awkward
3. A Night With
4. A Step In The Right Direction
5. Last Word
6. Lost
7. Forever
8. Ice Palace
9. Happy Home
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