If you like or even LIKE Movement Magazine, then you're sure
to have at least a passing interest in industrial music. And if you have a
passing interest in industrial music, then you sure as shit better have an
interest in Genesis Breyer. P-Orridge. P-Orridge is best known for his
pioneering noise-concrete anti-music with Throbbing Gristle (1975-1981),
alongside Peter Christopherson (later of Coil), Chris Carter, and Cosey Fanni
Tutti. Throbbing Gristle, of course, coined the term “industrial music” and
pretty much defined the genre’s sonic template, becoming a key influence on
everyone from Skinny Puppy to Nine Inch Nails to KMFDM to Aphex Twin. Throbbing
Gristle found peers in the likes of Joy Division, NON, and Cabaret Voltaire,
and also found a friend in William Burroughs - they even issued a collection of
his tape experiments on their Industrial Records label. The cut-up techniques
pioneered by Burroughs and Bron Gysin would have a profound effect on
P-Orridge, becoming a guiding principle of his work (and later his life) to the
present day.
Throbbing Gristle broke up in 1981, at the height of their
powers, with P-Orridge and “Sleazy” Christopherson moving on to create both the
musical entity Psychic TV and the Temple Ov Psychic Youth organization, both
kicking up quite a bit of trouble in the UK. Despite being in many ways a
multimedia and cultural experiment, Psychic TV still turned out some insanely
good records, first mixing punk and psychedelia, and gradually incorporating
electronic music to the point that, of all things, Psychic TV became a force in
the UK Acid House scene. Though it would be the eerie yet catchy love letter to
the Rolling Stones' doomed guitar player Brian Jones called "Godstar"
for which the band would be best known. It even became, improbably, a chart
hit. But there was a growing sense of official outrage and hysteria building up
over the controversial Psychic Youth communes, which culminated in P-Orridge
basically being exiled from England! He landed in the US, where he reconvened
Psychic TV, joined Pigface, and rubbed shoulders with the young musicians
influenced by him. Then, in 1995, everything changed for P-Orridge when he met
of his life, Lady Jaye. She would join him onstage in Psychic TV, but in 1995
they began their most radical collaboration yet, becoming human cutups,
"the same person, a new gender" through plastic surgery. Even for
P-Orridge, this was new radical territory.
Filmmaker Marie Losier recently chronicled the life, art,
and undying love of Gensis P-Orridge in "The Ballad Of Genesis And Lady
Jaye." Taking the intriguing move of filtering P-Orridge's creative life
through the love story between P-Orridge and Lady Jaye, she conducted
interviews with him and those close to him, and compiled footage from a
lifetime's worth of outrage and boundary-pushing to tell his story.
The delightful Sun-Ray Cinema in Riverside will be screening
this gem at midnight on Friday, June 20th and Saturday, June 21st. As an extra
incentive, Tim Massett has raided the underground vaults beneath Sun-Ray and
found a selection of Throbbing Gristle and Psychic TV, performance footage,
interviews, and assorted other nasties that will be screened before the move at
11:30. Support your chosen music! I have it on good authority that Max won’t be
mad at you if you miss a couple hours of FACTORY to attend.
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