FEATURES CONTRIBUTIONS FROM BECK, TYONDAI BRAXTON, AMON
TOBIN, CORNELIUS, DAN DEACON, JOHANN JOHANNSSON AND MORE
ALBUM FEATURED IN SCOTT SNIBBE-DESIGNED APP
GLASS AND BRAXTON PERFORM AT
ALL TOMORROW’S PARTIES’ I’LL BE YOUR MIRROR SEPTEMBER 21
ALL TOMORROW’S PARTIES’ I’LL BE YOUR MIRROR SEPTEMBER 21
Tyondai Braxton’s remix of “Rubric” from
esteemed composer Philip Glass’ landmark work Glassworks is
now streaming at Pitchfork: http://bit.ly/U6lpBW. The remix appears on REWORK_Philip
Glass remixed, a two-disc album/2xLP of remixed Philip Glass works due October
23 on Orange Mountain Music/Ernest Jenning Record Co./The Kora
Records. The album is now available for pre-order at http://www.philipglassrework.com as
well as via the iTunes store. Glass and Braxton are set to perform together at All
Tomorrow’s Parties’ I’ll Be Your Mirror in NYC on September 21,
for additional info please seehttp://www.illbeyourmirror.com.
In addition to the album, app developer Scott Snibbe
Studio (creator of Björk’s Biophilia app) has built
a REWORK app with interactive visualizations of each of the
remix tracks and an exclusive “Glass Machine” that lets people create and remix
Philip Glass-like music. The app will be available via the Apple App Store in
October.
The idea for REWORK came together during a
conversation between Philip and his friend and new collaborator Beck.
The pair recruited producer Hector Castillo (David Bowie,
Björk, Lou Reed) to help assemble a collection of remixes of Glass’ works by a
list of critically acclaimed artists including Beck himself,Tyondai
Braxton, Amon Tobin, Cornelius, Dan Deacon, Johann
Johannsson, Nosaj Thing, Memory Tapes, Silver
Alert, Pantha du Prince, My Great Ghost and Peter
Broderick.
The remix project joins in the celebration of Glass’ 75th birthday
season, which features performances and events across the globe encompassing
every facet of the composer’s decades-long career as a preeminent American
composer—opera, chamber music, orchestra music, dance, theatre works and more.
Glass’ 75th birthday season began with the
inaugural Days and Nights Festival in Carmel Valley,
CA—curated by Glass himself—and has featured the first performance of a Glass
piece by the New York Philharmonic; the world premiere of Glass’ Symphony
No. 9 by Bruckner Orchestra Linz in Austria before the symphony’s
American premiere at Carnegie Hall; and a week of events curated by the
composer for the Park Avenue Armory’s Tune-In Music Festival. Glass’
75th birthday season goes on to include the return of his first
and most revered opera Einstein on the Beach and
concludes with the World Premiere of The Perfect American, a
new opera about the death of Walt Disney, in January 2013. In addition to numerous
live performances, Glass’ 75th birthday season also sees the
publication of the composer’s first ever recollection of a life in music.
For more than five decades, Glass continues to be at the
forefront of contemporary music and art. In the early 1960s, Glass spent two
years of intensive study in Paris with Nadia Boulanger and while there, earned
money by transcribing Ravi Shankar’s Indian music into Western notation. By
1974, Glass had a number of innovative projects, creating a large collection of
new music for The Philip Glass Ensemble, and for the Mabou Mines Theater
Company. This period culminated in Music in Twelve Parts, and the
landmark opera, Einstein on the Beach for which he
collaborated with Robert Wilson. Since Einstein, Glass has expanded
his repertoire to include music for opera, dance, theater, chamber ensemble,
orchestra, and film. His scores have received Academy Award nominations (Kundun,The
Hours, Notes on a Scandal) and a Golden Globe (The Truman
Show). Several new works have been unveiled, including Book of
Longing, a collaboration with Leonard Cohen (2007, Luminato, Toronto
Festival of Arts and Creativity) and Appomattox (2007, San
Francisco Opera), an opera about the end of the Civil War.
For the past sixteen years, American composer Tyondai
Braxton has been actively involved in music composition and performance.
Bridging the purview of his interests in solo composition, experimental sound,
pop music and large-scale orchestra, his music has received critical acclaim
from an extraordinarily diverse expanse of the music world. In late 2002,
Braxton co-founded the avant-rock group Battles, in which, until 2010, he
performed as guitarist, keyboardist and singer. In addition to his recent collaborations
with Philip Glass, Braxton’s further commissions have ranged from multimedia
art/music installations (Lower Manhattan Cultural Council) to compositions for
world-renowned ensembles (Kronos Quartet, Bang On A Can, Alarm Will Sound) and
contemporary dance (choreographer Alan Good). On October 9, 2012, Braxton will
be joined by London Sinfonietta for a performance of his album Central
Market at Queen Elizabeth Hall in London.
REWORK_Philip Glass remixed
Disc 1
1. Music in Twelve Parts, Part 1–My
Great Ghost
2. Rubric–Tyondai Braxton
3. Knee 1–Nosaj Thing
4. Alight Spiral Snip–Dan Deacon
5. Warda’s Whorehouse Inside Out
Version–Amon Tobin
6. Etoile Polaire: Little
Dipper–Silver Alert
7. Floe ’87–Memory Tapes
8. Opening From Glassworks–Cornelius
Disc 2
1. NYC: 73-78–Beck
2. Protest–Johann Johannsson
3. Mad Rush Organ–Pantha du Prince
4. Island–Peter Broderick
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