THE FAINT DOOM ABUSE Out April 8 On SQE Music
Limited Edition Double LP Out Now
Spring Tour Dates Announced
Listen: "Dress Code" via Stereogum or SoundCloud
THE FAINT will return this spring with their sixth album, DOOM ABUSE out April 8 via SQE Music. Stereogum premiered "Dress Code" from DOOM ABUSE and last month Pitchfork premiered the video for the album's lead off track "Help In The Head" which was directed by Tim Nackashi (Maroon 5, One Republic). DOOM ABUSE Deluxe Double LP, limited to 500 copies, is available now at select indie stores and Insound. DOOM ABUSE standard LP and CD can be pre-ordered in the SQE online store. Additionally the album is available for pre-order now at iTunes. Fans that pre-order DOOM ABUSE through iTunes will receive 5 downloadable tracks instantly.
THE FAINT will embark on a national headlining tour that will kick off on April 24th in Des Moines at Wooly's and continue onto major markets including Atlanta, Philadelphia, Boston, New York, Washington D.C., Chicago, Portland, Seattle, San Francisco and Los Angeles. The tour will conclude on June 13th in the band's hometown of Omaha at the Sokol Auditorium.
To understand DOOM ABUSE and
its raw, visceral aesthetic you have to understand its birth story. You
have to understand that after touring for a year on their 2008
self-released album Fasciinatiion, an album that took
several years to write and produce, THE FAINT ceased to exist. The
musicians were burned out, uninspired and could no longer find the most
important element of any musical creation: fun. They went their separate
ways, pursued other sorts of music in other projects, sometimes
together and sometimes separately, and learned new ways of channeling
sound.They remembered what drove their songwriting in the first place.
Then,
in the spring of 2013, THE FAINT existed again. Anxious to make new
music the band recorded a 4-song white label 12" they referred to as
"Preversions." That music, primal and punk rock in its approach became
the unplanned blueprint for DOOM ABUSE.
The band booked time with longtime collaborator Mike Mogis
to mix the album before even really having songs written. There was no
specific concept, just a sense of wanting to capture moments of real
passion and invigorated glee. Whatever came out while writing in the
band's Omaha studio and rehearsal space would become their next album.
Since much of Fasciinatiion was made sitting behind
computers, the musicians wanted to embrace a live sensibility and
collective rawness. A lot of the record was created live in the room,
with first takes and first ideas taking precedent.
The
entire album took only about three months to create. It reflects
specific experiences from a specific time and sounds unlike anything
else. And in its final iteration, you can see the patterns in
DOOME ABUSE's songs.
The ideas and themes become clear. For Todd Fink, many of the album's
lyrics were created automatically in a stream of consciousness. In the
moment he didn't know that he was centered on certain lyrical
obsessions, mostly connected to the human brain and its functions.
The music, too, connects. From boisterous, static-laced opener "Help In The Head" to propulsive aggressor "Evil Voices" to
ambient and layered closer "Damage Control," the album explores
different variations of THE FAINT as a live rock band. Their history as
an innovative dance act lingers, years of obsession with crafting a new
style for the dance floor seeping into each song, but here and now, the
band wanted to make songs that capture the sheer power and collaborative
nature of their onstage performances. The songs differ and balance each
other out but all share the same space and overarching tone, another
pattern seen after the fact.
The birth of DOOM ABUSE in
many ways, is in parallel with a rebirth of the band itself. THE FAINT,
started in Omaha in the mid-'90s, have always created against the
grain, disinterested in making anything except what their own
inspiration drives them to make. Each album since their 1998 debut Media
has shifted and evolved that desire. Some albums, like 1999's Blank-Wave Arcade, came from urgent, short recording processes while others, like 2004's Wet From Birth,
were more carefully constructed. The musicians themselves are the
constant, together embracing a style that is truly unlike every other
band out there. While DOOM ABUSE harkens back to Blank-Wave Arcade's immediacy in some ways, it opens a new door. Inside is exactly where THE FAINT want to be now.
The Faint's Upcoming Tour Dates
April 24 - Des Moines, IA @ Wooly's
April 25 - Madison, WI @ Barrymore Theatre
April 26 - St. Louis, MO @ The Ready Room
April 27 - Lawrence, KS @ The Bottleneck
April 30 - Tulsa, OK @ The Vanguard
May 1 - Dallas, TX @ Granada Theater
May 2 - Austin, TX @ The Belmont
May 3 - Houston, TX @ Warehouse Live - Ballroom
May 6 - Fort Lauderdale, FL @ The Culture Room
May 7 - Lake Buena Vista, FL @ House of Blues
May 9 - Jacksonville Beach, FL @ Freebird Live
May 10 - Atlanta, GA @ The Masquerade - Heaven
May 13 - Philadelphia, PA @ The Trocadero Theatre
May 14 - Brooklyn, NY @ Music Hall of Willamsburg
May 16 - Boston, MA @ Royale NightClub
May 17 - New York, NY @ Webster Hall
May 19 - New York, NY @ Bowery Ballroom
May 20 - Washington, DC @ 9:30 Club
May 22 - Cleveland, OH @ House of Blues
May 23 - Chicago, IL @ Metro
May 24 - Minneapolis, MN @ Fine Line Music Café
May 27 - Boise, ID @ Knitting Factory
May 28 - Spokane, WA @ Knitting Factory
May 30 - Seattle, WA @ Neptune
May 31 - Portland, OR @ Roseland Theater
June 1 - San Francisco, CA @ The Independent
June 2 - San Francisco, CA @ The Independent
June 5 - Santa Ana, CA @ The Observatory
June 6 - Los Angeles,, CA @ The Roxy Theatre
June 7 - Los Angeles, CA @ The Roxy Theatre
June 8 - Los Angeles, CA @ The Roxy Theatre
June 8 - Los Angeles, CA @ The Roxy Theatre
June 11 - Salt Lake City, UT @ The Depot
June 12 - Englewood, CO @ Gothic Theatre
June 13 - Omaha, NE @ Sokol Auditorium
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