Beloved French band Nouvelle Vague announce a full run of US dates
Kicking off on Jan 22nd at World Cafe in Philly, these hipshaking dynamos will bring their unstoppable live show
to the West before ending up on Feb 20th in Washington DC
Check out their second single from their album "3" out NOW on Peacefrog Records
Check out the LIVE VIDEO Ca Plane Pour Moi performed by Jenia Lubitch
Listen to the single HERE!
Check out their in depth interview with PRI’s/ BBC’s The World HERE!
YES! That Nouvelle Vague!
The inventive band that takes a song you adore and shows you how to fall in love with it allll over again!
With their sophisticated combination of bossa nova, jazz and sixties pop as they continue to
remaster post punk and new wave nuggets!
"3" differs from its predecessors in the arrangements, songs are inspired by
American country music, roots and bluegrass.
On Tour in the US!
Friday, Jan. 22, Philadelphia, PA, World Café
Saturday, Jan. 23, New York, NY, Webster Hall
Sunday, Jan. 24, Boston, MA, Somerset
Tuesday, Jan. 25, Montreal, PQ, Metropolis
Wednesday, Jan. 27, Toronto, ONT, Opera House
Thursday, Jan. 28, Detroit, MI, Crofoot Ballroom
Friday, Jan. 29, Chicago, IL, Logan Square
Monday, Feb. 1, Denver, CO, Bluebird
Tuesday, Feb. 2, Salt Lake City, UT, Urban Lounge
Thursday, Feb. 4, Seattle, WA, King Cat
Friday, Feb. 5, Vancouver, BC, Venue
Sunday, Feb. 7, San Francisco, CA, Regency
Monday, Feb. 8, Sant Cruz, CA, Rio Theater
Tuesday, Feb. 9, Los Angeles, CA, Henry Fonda
Friday, Feb. 12, Dallas, TX, Granada
Saturday, Feb. 13, Austin, TX, Mohawk
Sunday, Feb. 14, New Orleans, LA, Republic
Tuesday, Feb. 16, Miami, FL, Revolution
Wednesday, Feb. 17, Orlando, FL, Firestone
Thursday, Feb. 18, Atlanta, GA, Loft
Saturday, Feb. 20, Washington DC, 9:30 Club
Nouvelle Vague teamed up with the legendary creators of these musical gems for a series of duets including “Master & Servant” (feat. Martin Gore), “Road to Nowhere”, “All My Colours (feat. Ian McCulloch), “Blister In The Sun”, “Our Lips Are Sealed” (feat. Terry Hall), “God Save The Queen”, “Parade” (feat. Barry Admanson)
Led by producer/arrangers Marc Collin and Olivier Libaux and sung by a revolving cast of chanteuses, the group’s first two albums, Nouvelle Vague (2004) and Bande A Part (2006) have sold well over half-a-million copies. Not wishing to tinker with this winning formula, but evolving all the same, "3" picks up where "Bande A Part" left off, and this time they’re joined by some famous names.
Press fawn over these French faves!
Nouvelle Vague has that sweeping appeal that makes any live audience swoon."
“Groovy, finger-snapping sambas. As good as it gets.”
“...postcard-perfect confections for Brazilian beaches of Ipanema and the trendy bars of New York...
“It’s really good, like ‘Why didn’t anyone think of this before?’ good.
“...frothy, effervescent pop...”
“post-punk goes to the spa for treatments...”
“Fresh (and refreshing) takes on these classics....
the songs are so wildly different in their new dreamy form that they stand on their own.”
“...Intoxicating, acoustic lounge music.”
“These hard-edged classics are now oceanside lounge tracks.”
“Neo-bossa nova...tropical confections...”
“A sultry riot....”
A bit of Nouvelle Vague history and more on "3":
On their debut, Nouvelle Vague took cherished tracks from the late 1970s and early 1980s by acts such as Joy Division, The Clash, The Cure, Depeche Mode and the Dead Kennedys and reworked them in a gentle bossa nova style. Sung by French female vocalists, some of whom had never heard the originals before, these cult hits had new life breathed into them, and their meanings became softly subverted. In French, Nouvelle Vague means “new wave”, and “bossa nova” in Portuguese. Even the records’ sleeves wittily referenced the artwork for Jean Luc Godard’s early-’60s new-wave films.
The group expanded its musical palette on Bande A Part, adding touches of reggae, ska and blues to balmy readings of familiar numbers by Bauhaus, Blondie, Buzzcocks, New Order and Yazoo, among others. By this point, even hardcore fans who’d considered these easy-listening versions of punk staples to be sacrilege learned to enjoy Nouvelle Vague as a guilty pleasure. But what of the authors who wrote the original songs – what did these once-ruthless idealists think of Nouvelle Vague’s more fragrant approach?
Well, of those canvassed, all approved – thumbs up from Mick Jones of the Clash, Morrissey, the Undertones, Dead Kennedys and Killing Joke. And this led Oliver and Marc to the concept behind the third album: Nouvelle Vague performs duets with the original singers. The pair wrote a ‘dream’ list of the people they’d most like on the album and, when contacted, most said yes.
So on "3" you’ll encounter Depeche Mode’s singing “Master and Servant” with Nouvelle Vague’s leading lady Melanie Pain; Ian McCulloch of Echo And The Bunnymen duetting with Melanie on “All My Colours”; Marina Celeste performing “Our Lips Are Sealed” with Terry Hall of the Specials and Funboy Three (that’s a Go-Go’s track penned by Hall); and Magazine’s “Parade” sung by Barry Adamson and NV’s Nadeah Miranda. For additional tracks that didn’t make the final album, Chris Bailey from legendary Kiwi rockers The Saints performs a duet, likewiseSamy Birnbach of noted Belgian new-wavers Minimal Compact.
Nouvelle Vague transform Talking Heads’ “Road To Nowhere” into a dusty bar-room shuffle, its head bowed as it traipses into the sunset after a long day working the land. “Heaven” by Psychedelic Furs becomes a tender acoustic affair. A bluesy swagger through Gary Numan’s “Metal” is sung with innocence and charm by Eloisia, a young Brazilian girl who could barely speak English and knew nothing of this music. Even “God Save The Queen”, once full of menace and bile, is fashioned into a romantic flutter. Add enchanting covers of Plastic Bertrand’s “Ca Plane Pour Moi”, Soft Cell’s “Say Hello Wave Goodbye” and “So Lonely” by the Police, and you have Nouvelle Vague’s strongest album to date.
To keep it fresh, Marc and Olivier approached this album in the same spirit of discovery with which they made their 2004 debut. Back then, says Olivier, they recorded four songs for fun and played them to friends, who loved them, and also loved the idea of turning new-wave songs into something different. And so they made an album.
As with all Nouvelle Vague’s work, the real stars of the records and shows are the songs themselves.
When Nouvelle Vague play live, these well-known songs by other people become Nouvelle Vague’s songs. They own them, you might say. In the last few years the group have taken to the road as a six-piece touring outfit, playing shows and festivals all over the world.