You Say Party! We Say Die! Return with XXXX

As 2006 saw a new wave of indie dance-rock hit the radars, with bands like the Klaxons, CSS, Crystal Castles and The Teenagers quickly hijacking the attentions of music lovers and critics all over the world, an up and coming five-piece from British Columbia named You Say Party! We Say Die! (or YSP!WSD! for short) were quickly developing a name for themselves minutes over the Northern borders of Canada (where they have currently been residing comfortably at #1 on college radio for the past 6 weeks). From their humble beginnings, this exciting, indie-punk five piece have worked fans into a dancing frenzy far and wide, from their home in a small Canadian farm town to overseas in Camden town.

You Say Party! We Say Die! began their days opening up for local bands in a church basement of their hometown of Abbotsford, just a short drive away from Vancouver, Canada. It was there that they steadily gathered a growing legion of loyal fans extending far beyond the basement, yielding a successful national tour and independently releasing their debut EP, 'danskwad' (pronounced: "dance-squad") in 2005 -- soon after they signed to Sound Document who sent them back to the studio to work on their debut album.

Two full lengths later, with plenty of lengthy and enjoyable yet equally exhausting tours behind them, the band decided to take some time off from the road in 2008 to record their newest album, XXXX signed to Paper Bag Records. Set for release in the US early next year, coupled with a pending US tour to coincide, You Say Party! We Say Die! are finally able to set their sights beyond the border for 2010.

XXXX is an energetic fusion of punk, dance-rock and grunge, with a mix of synthesizers and tech-heavy rhythms led by the ethereal vocal stylings of Becky Ninkovic. Likened to the sounds of groups like The Yeah Yeah Yeahs and an electro-charged Florence and the Machine, Pat Benetar, and Kim Wilde, You Say Party! We Say Die! teamed up with producer Howard Redekopp (Tegan & Sara, The New Pornographers) for an unforgettable album of unrelenting energy and vehemence.


However, despite having two full lengths in the bag since 2006, with several successful tours and various magazine covers across Canada beneath their belts already, the mystery of why this rousing five-some have been absent across these borders is a classic rock and roll tale.

Not far off from '66 when the Kinks, despite being coined as national treasures back home playing and developing a strong cult following across shores where they could not, faced the inconvenient reality of being "delisted" from playing in the US. YSP!WSD! were presented with a similar scenario, unable to spread their music and play across the borders and explore new territories until now.

After much patience and determination, You Say Party! We Say Die! are finally equipped with a brand new album and are raring to go, with a live show performance guaranteed to revive the spirit and vibrancy so lacking in so many of their contemporaries.


Out 02/09/10

CFCF RELEASES DEBUT FULL-LENGTH "CONTINENT" TODAY, OFFERS FLEETWOOD MAC COVER FOR FREE DOWNLOAD

OFFERS COVER OF FLEETWOOD MAC'S "BIG LOVE" FOR FREE MP3 DOWNLOAD

AND IF YOU MISSED IT, CFCF'S COVER OF OMC'S "HOW BIZARRE" COURTESY OF STEREOGUM

Montreal-based DJ and electronic artist CFCF (aka Michael Silver) releases his anticipated full-length debut, Continent, today on Paper Bag Records! The twelve-track album (which features Silver's own spin on Fleetwood Mac's song "Big Love") is the followup to CFCF's set of celebrated EPs, Panesian Nights and The Explorers (featuring label mate Sally Shapiro), both released earlier this year. Check out Pitchfork's 7.7 Album Review of Continent here.



CFCF has been creating tracks since his pre-teens and has only begun to present his music publicly in the last couple of years. CFCF's career began to take off with his contest winning remix of Crystal Castles "Air War" and has followed up with a chain reaction of official remixes for talents such as Sally Shapiro, The Presets, HEALTH, The Teenagers and Hearts Revolution among many others.

"For the songs on this album I usually started with an idea in mind of a specific atmosphere I wanted to convey," says Silver. "That atmosphere, whether it was something hazy, nostalgic, otherworldly or unsettling, was always the first thing to come to a track. The songs range from mid-tempo nu-disco to balearic, house to ambient. Often the basis of the atmosphere was culled from films by Werner Herzog, Michael Mann, David Lynch, and David Cronenberg as well as countless musical influences including Arthur Russell, Saint Etienne, and Tangerine Dream."

"Like many people his age, Silver obsesses over childhood ephemera. But rather than sate his yearnings with late night eBay binges on Ghostbusters memorabilia, he resurrects '80s keys and synths, modifying them into a hybrid of sturdy structure mixed with vintage minor chord melody." - The Fader 'Gen F' Feature

"The first sounds... are a slow, bouncing beat matched by a handful of poignant synth tones that could have swirled straight from the hands of a lovesick android... 'Continent' is loaded with disco, boogie, Italo, and house influences..."- XLR8R "Artists To Watch"

"CFCF's debut album 'Continent' glides along as if soundtracking its own slick future noir film...sure-footed, elegantly stated electro-pop."- Pitchfork "Rising" Artist

"Silver's work is a resurgence of the vibrant disco scene that took over nightclubs in the late-'70s and early-'80s...the songs on 'Continent' add up to a cohesive, inviting artist that will appeal to old fans of his remix work while appealing to a truckload of new folks looking for a little more dreamy disco in their lives." - AOL Spinner

"Seems like everything Montreal's CFCF touches lately turns to gold. The kid is currently making some of the most authentic, classiest, exquisitely executed disco around." - Gorilla Vs. Bear

For more info, please visit:
http://www.myspace.com/cfcf

DEBUT EP FROM BLUEBRAIN OUT NOW!!

Get a copy of Cult Following, the debut EP from Bluebrain now on iTunes or on the Lujo Store.

Bluebrain gracefully moves in and out of musical styles with a confidence few artists convey. Lyrical content varies from the fantastical to the macabre. Songs about obsessive behaviors, lucid dreaming, and yes--even organ harvesting-- go hand in hand with the unique sonics found on this their debut ep.

Bluebrain is the new project from brothers Hays Holladay & Ryan Holladay formerly known as The Epochs (Rebel Group). The guys have also remixed artists like Ra Ra Riot, Thrice and The Death
Set.

Here are a few things the press have been saying about Bluebrain:

Once Bluebrain took the stage, however, they settled in behind brilliant azure podiums and began to play through the material from their forthcoming debut album, weaving the tracks together and enveloping the audience in the kind of aural experience that made me send this text to a friend: these guys are going to be so fucking famous. And they had some pretty awesome video to back their tracks. Bottom line: it was a free show, and I'd totally have paid for it. My text message stands. Go see Bluebrain.
BrightestYoungThings

A little genealogy this morning: Bluebrain sprang from The Epochs, a brotherly duo who's remixed Ra Ra Riot and shared the stage with Spank Rock, Lady Sovereign and The Walkmen. Below, two wildly different tracks, both chock-full of pop-rock goodness from their upcoming EP, out on Lujo Records in November. "Cult Following" is all stadium sing-a-long and tweaker hooks, while "Bring Out Your Dead" is the type of gauzy, underwater song that fits between Massive Attack and LCD Soundsystem on your babymaking playlist (yes, you have one).
RCRD LBL

EMILIE AUTUMN Adds More U.S. Dates, Bringing More Fire, More Trapeze, and More Libido!

"The entire evening seemed designed to let the audience experience a Victorian home for wayward girls…in the most glamorous light possible... I don’t know if I’ve ever seen someone display such ability to remake a world in her own image. I’ve got the strangest urge to wear stripes today." - In This Week

EMILIE AUTUMN
Continues Her Inaugural US Trek
Adds More Live Dates Bringing Music, Trapeze, Fire,
And a Healthy Dose of Libidinal Freedom to the Masses

Long-Awaited Autobiog Detailing Mental Illness To Be Released in December

New York, NY - Chicago-based rock violinist and advocate for freedom of all kinds EMILIE AUTUMN has extended her inaugural U.S. Asylum tour in support of the recent release of the Deluxe Edition release of her seminal album OPHELIAC on The End Records. Her not-to-be-missed two hour plus live show is an extravagant event involving music, burlesque, fire, trapeze, stilt-walking, all performed on an impressively elaborate set, handmade by Emilie herself. "The Asylum show is a glam-rock circus where 'tea' is never really just tea, and madness reigns," explains Emilie. "This is no rock show; I have no interest in rock shows. This is Vaudeville. This is a f*cking Broadway musical."

Like Emilie herself (who not only created the set but handmade all the Victorian-era stage costumes), her shows exude an intense communal feeling of liberation for her fans, many of whom dress up similarly to their icon. An advocate for freedom of all kinds - creative, physical and sexual, Emilie promotes a healthy liberation from oppression. "I want to promote absolute freedom and fearlessness, not only for myself, but for everyone, and especially for girls," she explains. "Restricting your sexuality because you think it will prevent you from being taken seriously is just another form of oppression, and being controlled by someone else's opinion of who you ought to be. If I take off all my clothes, and I do it because I myself want to do it, then it is automatically a demonstration of feminism, not the denial of it."

Accompanied by her corset-donning Bloody Crumpets (her backup performers/singers), each personifying a different part of her psyche, Emilie has been creating quite a stir for her live shows. LA Weekly crowned her "The Next Big Rock Star" and gushed, "In 1996, I saw The Cure at The Forum, where the band played for three hours and offered no opening band... I thought then that no one else could sustain a set like that, and, until last weekend, I had never seen anyone attempt a similar feat. Then I saw Emilie Autumn." Denver Post celebrated the show as well, declaring, "It’s not every day that an audience gets showered with tea and crumpets. Then again, Emilie Autumn doesn’t exactly put on a typical show."

Her long-awaited autobiographical, reality-bending thriller The Asylum for Wayward Victorian Girls will be released in December and will be available at the merch table at her shows and also online at www.theomegaorder.com/emilieautumn. This beautifully bound hardcover volume measures 8" x 11.5" and clocks in at a massive 274 fully illustrated pages, filled with hand-written memoirs, photos, and paintings. One of the most complete accounts of bipolar disorder ever penned, it takes readers behind the doors of both modern day psychiatric ward and Victorian insane asylum in this true life horror tale of madness, murder, and medical experimentation.

Acclaimed and celebrated far and wide in Rock and Classical circles, Emilie has guested on albums by Otep, Billy Corgan, and Dethklok, performed on Leno and Letterman, had songs on soundtracks to Saw III and IV, and even appeared on Adult Swim's Metalocalypse. Known for her eccentric style (she makes all of her elaborate fashion ensembles herself) as well as her prodigious musical talent (she began reading notes before learning the alphabet and was already playing violin at four years old!), Emilie spent a good amount of her youth playing concert halls throughout the U.S. and Europe and studied under the tuteledge of world-renowned violinist Nigel Kennedy.

With songs like the melodically epic "Misery Loves Company" to the elegant waltz of "The Art of Suicide" to the syncopated metal of "Liar", Opheliac shimmers in its black-veiled classical, goth, baroque pop. Originally released in 2007 and building a huge underground swell in indie communities, the album was widely celebrated and revered. ReGen Magazine characterizes it as an album with "a sugary veneer covering bitter hearts and broken dreams. [Opheliac] fits on your shelf between Tori Amos and Depeche Mode" and rated it a solid 4.5 stars. New York Post recently chose her as one of "music's hippest chicks," calling her "completely unique."

The Asylum Tour: The Key

11/20 Oklahoma City, OK Diamond Ballroom
11/21 Little Rock, AR The Village
11/22 New Orleans, LA House of Blues
11/23 Austin, TX Emo's
11/25 St. Petersburg, FL The State Theatre
11/26 Ft. Lauderdale, FL Culture Room
11/27 Jacksonville Beach, FL Freebird Live
11/28 Charleston, SC The Music Farm
11/29 Carrboro, NC Cat's Cradle
11/30 Washington, DC 9:30 Club
12/2 Brooklyn, NY Music Hall of Williamsburg
12/3 Millvale, PA Mr. Smalls Theatre
12/4 Cincinnati, OH Bogart's
12/5 Louisville, KY Headliner's Music Hall
12/6 Pontiac, MI The Eagle Theater
12/8 Milwaukee, WI Pabst Theater

www.emilieautumn.com
www.myspace.com/emilieautumn

Mark Matos & Os Beaches to release Words of the Knife Today!

"His creativity explodes through finely tuned country-esque songs that can really make you feel sublime." - Fensepost

A brilliant flash of southwestern pop-psych shines off the Bay with the release of Words of the Knife, the first slice from Mark Matos and Os Beaches, a group of Mission District veterans who might be insulted if you called it a debut. Like the neighborhood the band calls home, Words of the Knife is a record of hybrid bloodlines. Tucson-flavored pop songs meld with the sun-baked chords and beats of 70s Tropicalia and sleepwalks through mirrored and smoky 1970’s rock venues − every genre that emerges here emerges to be shredded and combined. Led by Bay Area native son Mark Matos − main man behind anarcho-popslingers Campo Bravo − Os Beaches is a collection of regulars of the bars, stages and alleys of fog city, who teamed up with Tim Mooney’s Closer Studios and longtime American Music Club collaborator Eric Moffat to reinforce the myth that the San Francisco psych scene is one epic jam and to make you jealous.

Words of the Knife is evidence of a songwriter and performer pushing himself beyond the known territory of the personal, and into the mysteries and abstractions of the collective. Matos deals, in a voice remarkable for its lack of affect: half-sung, easy and versatile and honest, invoking Skip Spence, Jim Carroll, and Steve Malkmus, about love and leaving, loss and revolution, and drunken, broken, undying hope. It has been a long road back home for Matos, who left the Bay Area a decade ago to jump trains and learn life and music in the American Wilderness: Deep in Alaska and the Florida Keys, cold in Boston Squats, among slack-key players in Hawaii, and as an active force in the lo-fi scene of Tucson, where he began playing as Campo Bravo among the likes of Golden Boots, Howe Gelb, and Andrew Jackson Jihad. Matos’ maturity shows in the subtleties: a consistent shimmer of optimism, phrasing reminiscent of Leonard Cohen and Caetano Veloso, and song structures that tend toward the obscure and surprising. The structure of the album itself is a journey, beginning in tight, melodic pop mode and moving toward darker and sadder themes, sparser arrangements, and melancholy sounds. There is intention in the sequence, a movement from the basic conditions of living as a lover and an artist, to the lonelier and more ragged facts of being a conscious young American: praying for revolution in the face of apathy, frustration with hustling, poverty, growing old, and a stubbornness to stay sane, aware, and ambitious, even hopeful, in spite of it all.

While comparisons to Gram Parsons-era Byrds, Os Mutantes, and the Pavement of Crooked Rain, Crooked Rain are inevitable and accurate, Mark Matos & Os Beaches strike deepest when channeling the darker, more spacious contemporaries of those influences: the mournful notes of Graham Nash during Wild Tales and Big Star’s 3rd, the loose time of Satwa and early Gal Costa, the slack, glum coolness of Gastr del Sol and Giant Sand. It is a record that strikes deep for its young label, the very exciting Porto Franco Records, whose objective is to support, distribute and document this rich moment in the musical history of the Mission District, giving the artists there a chance to survive by doing what they are supposed to do. Words of the Knife from Mark Matos & Os Beaches is a window into exactly what is happening in San Francisco right now – a renaissance of independent music spanning all genres. That is why it is essential to any fan of rock and roll.

"Vocally Matos occupies a space familiar to fans of Kurt Wagner and Mark Knopfler more than anything else, a comparison that also pretty crisply describes the album's strongest character sketch and upbeat number, "The High Priest of the Mission."' - Ned Raggett, All Music Guide

"Hired Hand calls to mind the great wide open spaces of Texas and the south west, of a dusty sun-baked wilderness, but most of all of a yearning for something not yet found. It is a song that strikes a chord, and it is just one of a whole set of such tracks on this lovely album. - The Mad Mackerel

DEFTONES TO PERFORM TWO BENEFIT SHOW FOR BAND’S BASS PLAYER CHI CHENG AT THE AVALON IN HOLLYWOOD ON NOVEMBER 19TH AND 20TH

DEFTONES TO PERFORM TWO BENEFIT SHOWS FOR BAND’S BASS PLAYER CHI CHENG AT THE AVALON IN HOLLYWOOD ON NOVEMBER 19TH AND 20TH

ALL PROCEEDS GO TO ‘CHI LING CHENG SPECIAL NEEDS TRUST’ CREATED TO COVER MEDICAL COSTS FOR CHENG, WHO HAS BEEN IN A SEMI-CONSCIOUS STATE FOLLOWING A CAR ACCIDENT IN NOVEMBER 2008

Burbank, CA – Deftones, one of the world’s most respected and influential hard rock bands will perform two very special benefit concerts at the Avalon in Hollywood, CA, this week to raise money for the Chi Ling Cheng Special Needs Trust. The trust has been set up to help pay for the growing medical costs required for Deftones beloved bassist Cheng’s survival and long-term recovery. Cheng was involved in a serious car accident on November 2nd, 2008 that has left him in a semi-conscious state for the past year.

The two benefit concerts will take place this Thursday and Friday November 19th and 20th at the Avalon, 1735 Vine St., Los Angeles. Tickets for Friday’s show are currently on sale. For those who cannot attend, an online auction has been established through Charity Buzz as a way to provide opportunities for fans to donate to the Trust. The auction commences tomorrow, November 17th. More details on the way soon. Please check www.deftones.com for more information.

Your support is greatly appreciated.

www.deftones.com
www.oneloveforchi.com
www.charitybuzz.com/BenefitforChi

The Return Of The Dillinger Escape Plan

THE DILLINGER ESCAPE PLAN’S OPTION PARALYSIS OUT MARCH 2010

Morris Plains, NJ – (November 16, 2009)– Critically acclaimed rockers, THE DILLINGER ESCAPE PLAN, recently finished the recording of their highly-anticipated album, OPTION PARALYSIS and are readying it as the debut release for their brand new label PARTY SMASHER INC / SEASON OF MIST. The opus, recorded in Orange County, CA with longtime collaborator / producer Steve Evetts (The Used, Glassjaw, Every Time I Die) , will be officially available on March 23, 2010.

THE DILLINGER ESCAPE PLAN has released studio reports and music snippets on its Myspace page (www.myspace.com/dillingerescapeplan ), to give fans a taste of what their musical paralysis feels like. Their previous work has been praised nearly universally by press worldwide “If you really want to know (their) songs,” says The New York Times “…you have to listen repeatedly and concentrate” calling them “extreme musical craft.”

Known worldwide for their outrageous live shows, the band is set to head out on the road in December with friends, THURSDAY. “Call them insane, call them suicidal, call them out of control, but don’t call The Dillinger Escape Plan lazy. The band’s members put 100 percent into every performance,” says Guitar World. This is not a show you will want to miss.

The critics said of their last album, Ire Works…

“The Dillinger Escape Plan … and the sound they pioneered [are] only getting stronger.”
– Alternative Press

“It's Dillinger's willingness to constantly incorporate new sounds--even commercial ones-- that makes Ire Works an experimental-rock touchstone.”
– Spin


Upcoming Tour Dates:

12/04 - Farmingdale NY / The Crazy Donkey
12/05 - Syracuse NY / Lost Horizon
12/06 - Montreal QC / Foufounes Electriques
12/07 - Toronto ON / The Mod Club
12/09 - Poplar Grove IL / Chubby Rain House of Tunes
12/10 - Grand Rapids MI / The Intersection
12/11 - Covington KY / The Mad Hatter
12/12 - Sauget IL / Pop's
12/14 - Millvale PA / Mr. Small's Theatre
12/15 - Baltimore MD / Otto Bar
12/16 - Richmond VA / Canal Club Downstairs Lounge
12/17 - Allentown PA / Crocodile Rock
12/18 - Clifton Park NY / Northern Lights
12/19 - Cambridge MA / The Middle East Downstairs

Official Website: http://www.optionparalysis.net/
Twitter (FOLLOW DEP): http://twitter.com/dillingerescpln

Los Angeles' Globes on Remote release "The Woo Hoo Hoo" TOMORROW!

Based in Los Angeles, California, Globes on Remote was formed in 2008 and named after an event that can never be retold in print.

The music of Globes on Remote is dancy, anthemic, and full of energy, instruments, and voices. Their songs are character-driven; wannabe stuntmen and/or spacemen, sleazy professors, carnival operators, and neurotic porn writers, all have their misadventures borne out over a beat. The band is DIY to the bone (okay, except for mastering) and all of their music is self-recorded, mixed, and produced. The band even built (like as in construction/electrical/hvac) their studio where they rehearse and record.

Globes on Remote’s influences channel all the cheesy living room dance-party tracks of Tom Tom Club, Hall and Oates, Michael Jackson, Huey Lewis. They were all ape-shit for “Beat It” as kids, but it’s not like they have grown much since those days. It’s not strictly dance music. The use of horns, megaphones, guitars, and noise effects keep things interesting; but when Globes on Remote play, people dance.

Members of Globes on Remote are Stephen Andrews, Tawny Carson, Kevin Ignatius, and Daniel Medina. Aside from Carson (the only member actually from LA,) the remaining members come from small towns: St. Augustine, Florida, Warren, Pennsylvania, and Winters, California. All mad about music from an early age, the four members collaboratively sing and play instruments that range from guitars and synthesizers to megaphones, trumpets, and a euphonium – all are classically trained, especially in megaphoning.

Their debut album, The Woo Hoo Hoo, will be releasing tomorrow! Meanwhile, the band is currently already hard at work on their second album, due out in 2010. Look out for a West Coast tour in 2009 and an Australian tour for Winter 2009/2010.

DUSTED ANGEL Announce West Coast Mini-Tour With Nebula

Cali doom rockers DUSTED ANGEL confirm this week a five-day West Coast jaunt with stoner rock kings Nebula late this month and into December.

The Santa Cruz-based doom/rock unit DUSTED ANGEL features members of Bl'ast, Spaceboy, Gargautula and more. Their debut EP is available via Itunes now, with an extra song that is not available on the 7" release of the EP on November 17th. The EP is being released by Corruption Recordings, now exclusively distributed by Relapse Records.

DUSTED ANGEL live appearances:
11/14/2009 Brittania Arms - Cupertino, CA w/ Mudface, Scorched Earth Poicy, Zed
11/28/2009 Blank Club - San Jose, CA w/ Nebula, Radio Moscow
11/29/2009 Annie's Social Club - San Francisco, CA w/ Nebula, Radio Moscow
12/03/2009 Kensington Club - San Diego, CA w/ Nebula, Radio Moscow, Red Octopuss
12/04/2009 The Royal Dive - Oceanside, CA w/ Nebula, Radio Moscow, Red Octopuss
12/05/2009 Nomad Gallery - Los Angeles, CA w/ Nebula, Radio Moscow, Green & Wood

http://www.myspace.com/dustedangelrocks

Junius Premiere New Music from "The Martyrdom of A Catastrophist," Out This Week on The Mylene Sheath!

Martyrdom is a brooding opus of frenetic crescendos, sweeping vocals and celestial landscapes. MAGNET is proud to premiere “Letters From Saint Angelica,” which you can download below. - Magnet Magazine

The tireless and ever-touring bearded men of Junius have released their new record, The Martyrdom of a Catastrophist, this week on The Mylene Sheath. Preparation for the long-awaited album began in 2006, with month-long writing/recording sessions in such unconventional locales as a bank vault in California, a warehouse in Texas, a farmhouse in Vermont, and a shack in the swamps of Louisiana. The result is a full-fledged concept album, inspired by the life and theories of controversial scholar Immanuel Velikovsky.

From birth to death, The Martyrdom of A Catastrophist chronicles a man whose progressive theories on ancient history and the cosmos were widely challenged by mainstream academia during his lifetime. The album's ten songs are both cinematic and accessible, building to crescendos which echo some of Post Rock's most epic moments, but with vocals, hooks, and lyrics creating focus throughout. Actual quotes from Velikovsky's interviews and lectures are interspersed between songs, providing a sense of narrative to the proceedings.

While Junius' sound is sometimes tough to categorize, they have cited such artists as Bedhead (Junius singer/guitarist Joseph E. Martinez's uncle Trini was their drummer), Philip Glass, Hum, and M83 among a long list of inspirations. The band has been electrifying rapt audiences with their spellbinding walls of reverb-drenched guitars, haunting vocals and self-made lights since 2004.

Watch the trailer for "The Martyrdom of a Catastrophist" here!

* Junius produced The Martyrdom... at the legendary A&M Records studios in Hollywood (now known as Henson Recording) over the course of a year, somewhat guerilla-style, during off-hours when the studio wasn't booked (the band has joked that they were bumped out by everyone from Akon to Bruce Springsteen - literally). The album was recorded by Kevin Mills and Tom Syrowski (Weezer, AFI, Incubus) and mastered by Dave Collins (Danny Elfman, Black Sabbath, The Police). 2009 finds the members of Junius as tenacious as ever, continually touring Europe and North America (recently sharing stages with the likes of Pelican, Mare, Tombs, Wolves In The Throne Room, and Irepress, among others), headlining festivals, lending music to a series of short films by director Mary Lambert (Pet Semetary), and, of course, finally seeing the release of their new album. Click here for pre-order and check out the band's new Myspace page here! Junius will also be performing their new album in its entirety on all upcoming tourdates.

Junius Live!

Europe
Nov 13 2009 - Aachen, Germany @ AZ
Nov 14 2009 - Rotterdam, Netherlands @ Exit
Nov 15 2009 - Den Helder, Netherlands @ De Bliksem
Nov 18 2009 - Brighton, UK @ The Hope
Nov 19 2009 - Southampton, UK @ Hamptons
Nov 20 2009 - London, UK @ Barfly
Nov 21 2009 - Birmingham, UK @ Flapper
Nov 24 2009 - Liverpool, UK @ Korova
Nov 25 2009 - Leeds, UK @ Cardigan Arms
Nov 26 2009 - Edinbrurgh, Scotland @ Sneaky Pete's
Nov 27 2009 - Belfast, Ireland @ Auntie Annie's
Nov 28 2009 - Dublin, Ireland @ Academy 2

USA w/ Tombs and Irepress (Record Release Shows)
Dec 11 2009 - Boston, MA @ The Middle East Upstairs
Dec 12 2009 - New York, NY The Studio @ Webster Hall w/ Rosetta

www.juniusmusic.com
www.myspace.com/junius