“THE LIGHTS TOUR” BEGINS JULY 23 IN ATLANTA

Cherrytree/Interscope recording artist Ellie Goulding returns stateside this summer for her second
headline tour in support of her critically acclaimed solo debut Lights. Aptly named, “THE LIGHTS
TOUR” begins July 23 in Atlanta and wraps in late August. “I am really excited about the next tour,”
says Ellie. “This time we are ready; we are better prepared. Every city brought something new and
I learned a lot playing to different crowds. It is a learning curve. America get ready -- we're coming
and it's going to be huge!”

Having already conquered her native Britain with the best selling debut album of 2010,
singer-songwriter Ellie Goulding has won over the US audience garnering rave reviews. Lights is,
as the New York Times put it, “a happy car crash of signifiers: part electro-pop, part soul, part blues,
part indie rock, part folk” that mixes heartfelt emotion with other-worldly atmospherics and the Los
Angeles Times raves, “plenty of ethereal hooks, the album carries a dark overcast with a handful of
emotionally raw tracks.” Rolling Stone calls Lights, “sweet, sexed-up folktronica” and
Entertainment Weekly affirms “anthemic dance-pop confessional.”

This spring, Ellie made headlines when she was personally asked by William and Kate to play at the
royal wedding. May followed with performances on Saturday Night Live and Live With Regis and Kelly.
Check out Ellie live on “THE LIGHTS TOUR,” dates below.

THE LIGHTS TOUR

July 23 / Atlanta, GA / Center Stage
July 25 / Washington DC / 9:30 Club
July 26 / Philadelphia, PA / Electric Factory
July 27 / Boston, MA / House of Blues
July 29 / New York, NY / Terminal 5
July 1 / Montreal, QC / Osheaga Music and Arts Festival
August 1 / Toronto, ON / Kool Haus
August 2 / Royal Oak/Detroit, MI / Royal Oak Music Theatre
August 4 / Minneapolis, MN / Fine Line Music Cafe
August 5 / Kansas City, KS / Kanrocksas Festival – Kansas Speedway
August 6 / Chicago, IL / Lollapalooza - Grant Park
August 8 / Denver, CO / Ogden Theatre
August 11 / Los Angeles, CA / The Wiltern
August 12 / San Francisco, CA / Outside Lands Music & Arts Festival

A lucky winner and their guest will be flown to the Los Angeles show to see Ellie live.
For further details please check out www.elliegoulding.com.

400 Blows Announce New Album "Sickness and Health" Out August 23rd on ORG Music

400 Blows Announce New Album "Sickness and Health" Out August 23rd on ORG Music
Upcoming Performance at Sunset Junction 2011 w/ Helmet, The Melvins, Butthole Surfers, Art Brut and More!

Stream "We Killed Like Champions" exclusively @ DecibelMagazine.com!

They say good things come to those who wait. One could guess that six years could be a substantial enough time to play the waiting game. So for those who remember 400 Blows (they never really went anywhere), you'll be glad to know they are returning with the slobberknocker of a full length that is "Sickness and Health," their first album in the six year gap that comes flying like a bat out of hell since the release of 2005's "Angel's Trumpets and Devil's Trombones."

One could simply take the easy way out and declare 400 Blows as a "loud, fast and asskicking band," but like fine wine, good things come with age. These Los Angeles agent provocateurs of all that is loud have created an offspring that could be the hideous outcome and unruly spawn of an experiment gone completely awry, an example of what happens when splicing the DNA of Big Business, The Circle Jerks, Helmet and godheadSilo occurs.

Formed in Los Angeles in 1997 after a few lineup changes, 400 Blows gained notoriety throughout Los Angeles and beyond with their menacing stage presence which would practically destroy everything in its path. 1998 saw the release of their first record "3.19.98" and after three years of laying siege to eardrums and soundboards everywhere, the sixteen track double record "Black Rainbow" had them touring with At the Drive In in 2001. Showing no signs of slowing down, 400 Blows had hit the ground running when they signed to the lionized roster of Gold Standard Laboratories in 2005 to release "Angel's Trumpets and Devil's Trombones," which was followed by a European tour with The Locust and appearances with The Mars Volta at All Tomorrows Parties.

Following a couple more lineup changes on drums and guitar over the next few years, 400 Blows ceased playing in 2010 and wrote this here record "Sickness and Health" with the full intention of getting back in the saddle to bring their sonic bedlam back to the masses. With the ashtray voice of singer Skot Alexander, the revving guitar of Scott Martin and the always jilted drums of Kevin Fitzgerald, 400 Blows have given us an album which exhibits the importance of why we still need bands that will kick the ass and ears of concertgoers and listeners. THIS IS what makes loud music glorious. THIS IS the personification of the true middle finger that rock and roll raises high with glory and romanticizes the hard living behind all of it. THIS IS 400 Blows.

* "Sickness and Health" will be released on CD, vinyl (w/ free download), and digital formats August 23rd on ORG Music.

400 Blows Live!
Aug 27th @ Sunset Junction in Los Angeles, CA *
* = w/ Helmet, The Melvins, Butthole Surfers, Art Brut and more!

www.400Blows.net

So Many Wizards Debut New Songs on Aquarium Drunkard and FILTER, 7" Out 6/28

So Many Wizards recently debuted two new songs on Aquarium Drunkard and FILTER in preparation for the June 28th "Inner City / Best Friends" limited edition 7-inch release.

Beginning as lead singer, Nima Kazerouni’s solo-project, So Many Wizards took the form of home recordings and a live ensemble of Kazerouni accompanied by television sets displaying prerecorded tracks stacked on top of each other. Shortly after, Kazerouni began collaborating with drummer, Erik Felix and the duo recorded Love Songs For When You Leave Me EP, produced and engineered by Chris Chu from The Morning Benders, at San Francisco’s Different Fur Studios. The EP featured the dreamy song “Nico,” which embodies the band’s ethereal aesthetic. Eventually, Kazerouni recruited filmmaker and bassist Warren Woodward to complete the lineup of the Long Beach bred bedroom pop trio.

So Many Wizards are set to release the “Inner City / Best Friends” 7-inch on a limited edition 70 gram colored vinyl pressing on boutique label, Seven Inch Project. The songs reflect the contrasts realized during Nima Kazerouni’s move from the Los Angeles suburbs to the city. “Inner City” draws from the changes in pollution, poverty, noise and the paranoid uneasiness Kazerouni first experienced. "Best Friends” was written afterwards and further depicts this experience, but in the carefree sense of being able to find pockets of calm within the chaos and the general acceptance and deep appreciation for living in L.A. Together, the two songs strike a balance between anxiety and calm, city and nature.



Band Website: www.somanywizards.com

We Are Augustines Announce Debut Album 'Rise Ye Sunken Ships' To Be Released August 23

RISE YE SUNKEN SHIPS, THE DEBUT ALBUM FROM WE ARE AUGUSTINES, SET FOR AUGUST 23rd RELEASE "CHAPEL SONG," #4 MOST ADDED AT TRIPLE A RADIO, TAPPED FOR STARBUCKS' FRAPPUCCINO® PROMOTION, KICKING OFF JUNE 6th iTUNES NAMES "HEADLONG INTO THE ABYSS" AS "SINGLE OF THE WEEK" STARTING JUNE 7th



Brooklyn-based We Are Augustines - formed by ex-Pela membersBilly McCarthy and Eric Sanderson and featuring Rob Allen on drums - will release their debut album, Rise Ye Sunken Ships, on August 23rd on the band's own Oxcart Records via ada (Alternative Distribution Alliance).

The collection kicks off with "Chapel Song," a heartrending tale of lost love.The track has been tapped by Starbucks for its upcoming "10 Song Summer Mix" digital sampler. Beginning June 6th, "Chapel Song" will be one of 10 free songs available for download on iTunes to customers who purchase a Frappuccino® at Starbucks or to any customer on the Starbucks Digital Network in store. The offer, good while supplies last, will be available in the U.S. and Canada. "Chapel Song" was #4 Most Added (tied with Amos Lee's "Flower") in its first week at Triple A radio, making We Are Augustines the highest added independent band, and 10 Non-Com stations are already spinning the record.

"Headlong Into The Abyss," another track from the album, will be iTunes' "Single of the Week" beginning June 7th in the U.S., Canada, Mexico, Australia, New Zealand and Japan. Rise Ye Sunken Ships will be released digitally exclusively on iTunes in the above countries on the same day.

Much of the material on Rise Ye Sunken Ships documents the most traumatic period of lead vocalist/guitarist Billy McCarthy's life in which he lost both his schizophrenic mother and brother to suicide. His mother took her own life when he was just 19 and then, in 2009, his younger brother James, also a diagnosed schizophrenic, hung himself while at a psychiatric hospital.

"Keep your head up, kid/I know you can swim/But you've got to move your legs," McCarthy pleads in "Augustine" while "Headlong Into The Abyss" recounts James' flight from the police. The latter is fueled by the exhilaration that comes from giving the finger to the status quo and driving hard and fast away from one's fate. "Book of James," one of several songs recorded with producer Dave Newfeld (Broken Social Scene), is a gripping eulogy for this once-resilient spirit who succumbed to the pressures bearing down on him from both within and without. For a limited time, fans can get a free download of "Book of James" at http://weareaugustines.com/.

"Society at large would rather not think about the topics of homelessness and mental illness," observes McCarthy. "But people who have lived through it are forced to find a place internally to store it in. This song is written from that place."

"The Instrumental," a transcendent, richly textured piece written by bassist/keyboardist Sanderson, closes out Rise Ye Sunken Ships with a hard-won hope, suggesting that struggle can ultimately point the way to peace. "It was birthed out of the chaos of living in New York City - balancing the draining moments spent working day jobs in industrial areas like Columbia Street, Sunset Park and Long Island City with the pure, romantic dreams of being a musician," recalls Sanderson.

It's a dream he and McCarthy lived for nearly a decade as members of Pela. But despite the indie band's remarkable successes -its acclaimed debut, Anytown Graffiti, landing on numerous critics' "Best of 2007" lists, sharing stages with Sonic Youth, Sleater-Kinney and The Flaming Lips and others, an appearance on "Late Night with Jimmy Fallon," songs licensed by such shows at "Grey's Anatomy" and "Scrubs" - Pela imploded.

"We've had to realign the way we approach our music," explains Sanderson. "But we couldn't be where we are now if Pela didn't exist." McCarthy concurs: "The lessons we've learned are like lanterns illuminating a path for us."

Pop Montreal Turns 10 / Sneak Peak At Pop's 10 Year Anniversary, September 21 - 25, 2011

Yikes! 10 YEARS! Nuts, crazy, BIG TIME! Lot's of highlights over the years : Patti Smith at the Gothic St Jean Baptiste Church! Interpol at the tiny Jupiter Room! Poutine with Rocky Erickson! Treats with Devin the Dude! And intense drives with Buffy Ste Marie, Roxanne Shante and many many more. OK! the show goes on. Let's get ready to rawk a 10th anniversary party like the world ended while the sun kept shining and everybody could eat tacos till 5am. WOOHOO!

Here's a sneak peak at a little bit of what we have planned. CHROMEO - our homies will be spreading some of that sexy electrofunk, hometown style – while the legendary all female British post-punk band THE RAINCOATS will give an exclusive North American appearance. Another legendary punk rock band, REDD KROSS will also be making an exclusive performance at the fest. The otherwordly tUnE-yArDs will return to Montreal after a sold out show in May. There's a ton more, 300 bands, all kinds of stuff, our glorious segments (SYMPOSIUM, FILM POP, PUCES POP, KIDS POP and ART POP) musicals, basketball, showcases, tributes, rap, friends, Baul music, booty, party, party, party, party, party!!! THE BIG SHOW!!

See you all September 21st to the 25th in Montreal.
POP. xo

Stuff:
Chromeo
Redd Kross
The Raincoats
tUnE-yArDs
R. Steevie Moore
Marie-Jo Thério
Asobi Seksu
Tahiti 80
Barbara Lynn
Ralph Soul Jackson
Joe Bataan
Gary Lucas' Captain Beefheart Symposium
The Velvelettes
Babukishan Das Baul
The Socalled Musical
Vockah Redu
Japandroids
Purity Ring
Death Grips
Cave


More Info at popmontreal.com

Gallhammer 'The End' out today in North America, Full album stream up on InvisibleOranges.com

GALLHAMMER RELEASES ‘THE END’ IN NORTH AMERICA
Full album stream up on InvisibleOranges.com

JAPAN – Japanese doom duo Gallhammer has officially unleashed its third studio album The End today in North America on Peaceville Records. The End can be purchased as a hard copy CD or digital download on Amazon.com at: http://www.amazon.com/s?ie=UTF8&rh=n%3A5174%2Ck%3A%26%2334%3BGallhammer%26%2334%3B%20%26%2334%3BThe%20End%26%2334%3B&page=1, or through Peaceville’s webstore at: http://www.burningshed.com/store/peaceville/.
Fans can listen to the new record in its entirety this week exclusively on InvisibleOranges.com at: http://www.invisibleoranges.com/2011/05/full-album-stream-gallhammer-the-end/.



The track list for The End is…
1. The End
2. Rubbish CG202
3. Aberration
4. Sober
5. Entropy G35
6. Wander
7. 108=7/T-NA

“Only in Japan will you find the unique combination of bratty punk rock, crust, doom, and drone all rolled into one.” – BrooklynVegan.com

“It’s safe to say that no other band sounds like Gallhammer.” – InvisibleOranges.com

“’The End’ takes the listener beyond the limits of the previously marked boundaries of misery.” – Outburn

The End evolves further from the foundations of Gallhammer’s previous effort Ill Innocence and its debut Gloomy Lights with an album of disturbing and dark drone music, consisting of a hypnotic bass and drum combination mixed with the band’s raw black metal and punk origins.
Founding member Vivian Slaughter (bass/vocals) describes the overall album direction as, "strange and psychedelic experimental sounds of doom".
Stay tuned for more information on Gallhammer and The End.

Gallhammer is…
Vivian Slaughter – Bass, Vocals, Saxophone,
Risa Reaper – Drums, Vocals

Gallhammer online…
www.myspace.com/ghammercrust

The Ladybug Transistor announce west coast tour & stream "Clutching Stems" at PasteMagazine.com

The Ladybug Transistor's new album Clutching Stems will be in stores next Tuesday, June 7, but you can listen to the whole album now at PasteMagazine.com!

Stream The Ladybug Transistor's Clutching Stems now!

Prefix Media reviewed the new album saying "Clutching Stems is the band's finest record since The Albemarle Sound, and the kind of pop record that may break your heart, may even tear you apart, but it's also generous and complex enough to put you back together in the end."

Don't miss The Ladybug Transistor on tour beginning June 29 including newly announced west coast dates!

The Ladybug Transistor on tour:
Jun 29 New Haven, CT – BAR (FREE SHOW!)
Jun 30 Cambridge, MA – TT the Bear’s
July 06 Brooklyn, NY – Knitting Factory
July 07 Pittsburgh, PA – Carnegie Museum of Art Sculpture Court
July 08 Kalamazoo, MI – The Strutt
July 09 Madison, WI – UW Madison Union Terrace
July 10 Chicago, IL – Schuba’s
July 11 North Manchester, IN – The Firehouse (FREE SHOW!)
July 12 Cincinnati, OH – Mayday (FREE SHOW!)
July 15 Baltimore, MD – Ottobar
July 16 Raleigh, NC – Kings Barcade
July 17 Charlottesville, VA – The Southern
Sept 06 Los Angeles, CA - Satellite
Sept 07 Santa Barbara, CA - TBA
Sept 08 San Francisco, CA - the Hemlock Tavern
Sept 09 Portland, OR - Musicfest NW
Sept 10 Seattle, WA - The Comet Tavern

Explicit: The Boxer Rebellion Releases "The Runner" Video, Single Remix By The Joy Formidable Now Available For Free Download

THE BOXER REBELLION TO RELEASE NEW SINGLE "THE RUNNER" ON JUNE 27 (EXPLICIT) VIDEO DIRECTED BY OSCAR-SHORTLISTED DUO DARKFIBRE NOW ONLINE THE JOY FORMIDABLE REMIX OF "THE RUNNER" NOW AVAILABLE FOR FREE DOWNLOAD

London's The Boxer Rebellion announce the release of their second single "The Runner," taken from this year's Ethan Johns-produced epic The Cold Still. The single is packaged with a stunning music video directed by DarkFibre (Ishbel Whittaker and Marc Hawker) and an electro-rock remix by hotly-tipped Welsh trio The Joy Formidable.

The Oscar short-listed DarkFibre are causing a storm in the commercials and music video world. Their recent film for Renault, starring Dita Von Teese, was banned on daytime TV, while their video campaigns for Amnesty International are nothing short of seminal and are a must-watch. As fans of The Boxer Rebellion, they jumped at the chance to collaborate with the band and turn "The Runner" into a visually and emotionally engaging mini-masterpiece. "We took the cornerstone idea of honesty and its fragility from the lyrics and created a narrative that would be both completely surprising and utterly compelling," says co-director Ishbel Whittaker. "We wanted to make something that was playful and naughty but also profound, raw and honest."

WATCH "THE RUNNER" FROM THE BOXER REBELLION HERE



The Boxer Rebellion and The Joy Formidable are not strangers to one another. Having crossed paths at many a festival, it was only natural that a collaboration would soon be in the works. The Joy Formidable's deep, dark remix of "The Runner" is a thumping, fast-paced offering, delivering a sonic playground of furious drums, fat bass lines and electo wails in which Nathan Nicholson's vocals float about fittingly.

STREAM THE JOY FORMIDABLE REMIX OF THE BOXER REBELLION'S "THE RUNNER" HERE OR DOWNLOAD/SHARE VIA THE MEDIA PROVIDED HERE.

Released on February 1, 2011, and created in conjunction with Ethan Johns (Kings of Leon, Ryan Adams, Ray LaMontagne), The Cold Still, one of FILTER Magazine's "20 Most Anticipated Albums of 2011," is an exercise in master class performances and sophisticated songwriting from a band that embodies the very definition of "independent." Regarded by Billboard Magazine as an "epic, effortless offering from a quartet dead set on perfecting their pop-rock craft," The Cold Still is continuing to captivate music fans around the world. Monumental and intimate in equal measure, it is a breathtaking album bristling with tense passion, giant riffs and heartrending lyrics, all with an effortless grace that has become The Boxer Rebellion's trademark.

The Joy Formidable recently released their new album, The Big Roar, on March 15 via Canvasback/Atlantic Records. The Big Roar comes two years after their 2009 debut, A Balloon Called Moaning, which SPIN Magazine named one of the "10 Best Records You Might Have Missed in 2010." Acclaim on The Big Roar comes from the likes of NME praising its "gutsy, chest-swelling brilliance."

THE BOXER REBELLION ONLINE

THE BOXER REBELLION ON FACEBOOK
THE BOXER REBELLION ON TWITTER

Chelsea Wolfe preps new releases, announces tour dates

Chelsea Wolfe announces new album, Ἀποκάλυψις (apokalypsis) & shares new single, "Mer" on Pitchfork Album out August 23rd on Pendu Sound Recordings

STREAM: "Advice & Vices"

California native Chelsea Wolfe has always embodied light and dark. Her music is a raw, dirging doom-folk with hints of black metal, deep blues and minimal synthesizer music, but it's as prone to triumph as it is despair. Her voice is both haunting and seemingly haunted, though whether by angels or demons is unclear. And her lyrics reflect an obsession not only with life's murkier moments, but the unlikely truths and beauty they so often reveal. It makes sense then that her influences run from Nick Cave and Selda Bagcan to Ayn Rand and Ingmar Bergman, and even more so that she hails from the wilder, woodsy northern part of her state. Wolfe's hometown was a small unspecified burg amidst the trees, idyllic by day and begging exploration, but forbidding once the fog crept in. Her skewed romanticism began early. At 9, she started sneaking into her father's home studio to record warped keyboard covers ("It's My Party," and The Neverending Story theme) and Gothy R&B originals. But growing up, she never shared these, and it wasn't until 2009 that she considered making music for others to hear. After a three-month stint abroad

with a nomadic performance troupe playing cathedrals, basements and old nuclear plants, Wolfe returned home inspired. She began toting around an 8-track and recording as the mood hit, eventually winding up with the songs that would become her stunning 2010 debut, The Grime & the Glow. Described as both healing and harrowing, enchanting and narcotic, the album established Wolfe as an elemental force on the rise. Just as telling were a pair of cover songs -- the timeless "You Are My Sunshine" and a deep cut from Norwegian metal icon Burzum -- that in her capable hands managed to sound equally burnt and terrifying. Drawn to Los Angeles' unique mix of gloss and grit, she moved to the city late last year and recorded her second album, Ἀποκάλυψις (pronounced "apokalypsis"), out on Pendu Sound Recordings in 2011.



About the album:

It's fitting that Chelsea Wolfe's second album opens with a hair-raising, animalistic snarl -- the sound of some beastly metamorphosis caught on tape. Ἀποκάλυψις (pronounced "apokalypsis") finds the L.A.- based artist perfecting her distinctly doom-drenched electric folk. Here she graduates from mobile 8-track experimentation to an actual studio, enlisting a few friends to help even as she maintains the strikingly visceral elements of her powerful debut, The Grime & the Glow (2010). The end result is a both a broader sprawl and a tighter claustrophobia, a serious heaviness of sound and spirit prone to unexpected moments of beauty and triumph. Rightly, the album's title is Greek for both "apocalypse" and "revelation." Wolfe's gift for tense beauty reigns supreme on "Tracks (Tall Bodies)," where warm guitar, cavernous drums, and her beguiling voice engender an elemental feeling of regret in tune with the words: It's a machine we're up against/Devoid of reason, devoid of sense." The upbeat "Demons" follows, seemingly as counterpoint, rolling forth on a damaged surf beat and becoming a careening steam engine of scratchy thrash and tortured cries. Later, "Moses" demonstrates what Wolfe may very well do best, cooing choral over grinding Sabbathy guitars, somehow hinting at an odd ebullience hidden in the dirging murk. Though Ἀποκάλυψις's tone is decidedly dark, it's a dynamic album, evidenced by buzzing, organ-soaked soul of "The Wasteland," the clanging blues of "Friedrichshain," and the haunted ambience of "To the Forest, To the Sea," which feels like a field recording from the bewitched woods of Wolfe's youth. The LP's undeniable high point however, is the unforgettable "Pale on Pale." The seven-minute song slowly bores its way into the listener's skull thanks to Wolfe's ghostly moan -- which deals death at every lyrical turn -- and the thick black metal chords that push it along. Somewhere between the blood-curdling scream and squalling feedback that close out the track, transcendence is achieved, and Wolfe's transformation into a true force of nature is complete.

Artist site - http://chelseawolfe.net/

Tally Hall Releases New Album & Announces Headlining Tour Dates!

TALLY HALL ANNOUNCE JUNE 21ST RELEASE DATE OF NEW ALBUM GOOD & EVIL NATIONAL HEADLINE TOUR IN JULY/AUGUST

At long last, Tally Hall is preparing to release the follow-up to 2005's debut album Marvin's Marvelous Mechanical Museum, with a June 21st, 2011 release of GOOD & EVIL on Quack!Media. The sophomore album was produced by Tony Hoffer (Beck, Depeche Mode, Belle and Sebastian) and will be available in digital and physical formats. The deluxe vinyl preorder has already sold out.

Tally Hall will tour in support of GOOD & EVIL during July and August of 2011. April Smith and The Great Picture Show, Speak, and Casey Shea will be joining them on the tour.

This will be the ONLY tour Tally Hall does in support of the record, so be sure to come hang out!

You can download the first single "You & Me" for free on http://www.tallyhall.com.


TOUR DATES

July 21 -Grand Rapids, MI The Intersection
July 22 -Ann Arbor, MI Blind Pig
July 23 -Chicago, IL Lincoln Hall
July 24 -Minneapolis, MN First Avenue
July 26 -Denver, CO Hi-Dive
July 27 -Provo, UT Velour Live
July 28 -Boise, ID Visual Arts Collective
July 29 -Seattle, WA Vera Project
July 30 -Portland, OR Mississippi Studios
August 1 -San Francisco, CA The Bottom Of the Hill
August 2 -Los Angeles, CA The Troubadour
August 3 -Phoenix, AZ The Rhythm Room
August 5 -Dallas, TX House Of Blues (Cambridge Room)
August 6 -Austin, TX Emo's
August 7 -Houston, TX House of Blues (Bronze Peacock)
August 9 -Nashville, TN 3rd & Lindsley
August 10 -St. Louis, MO Firebird
August 12 -Washington, DC The Rock N' Roll Hotel
August 13 -Philadelphia, PA Johnny Brenda's
August 14 -Baltimore, MD The Metro Gallery
August 16 -Westport, CT Toquet Hall Student Coffeehouse
August 17 -Boston, MA Great Scott
August 18 -Ithica, NY The Haunt
August 19 -New York, NY The Bowery Ballroom
August 20 -Pittsburgh, PA Mr. Smalls Theater

July 21 - Aug 10 with SPEAK
Aug 12 - Aug 20 with April Smith and the Great Picture Show
All dates with Casey Shea