Straight out of their SOLD OUT show at Joe’s Pub to celebrate the release of their debut
Verve Forecast Release “Taller Children”,
Elizabeth & the Catapult unveil their darling video for the title track -
http://vids.myspace.com/index.cfm?fuseaction=vids.individual&videoid=59052010
Elizabeth & crew sat down with NPR’s All Things Considered to chat about the ditty -
http://www.npr.org/templates/story/story.php?storyId=105206322
Elizabeth & the Catapult's “Taller Children” celebrated its digital release on May 5th where the record shot to the top of the singer songwriter chart
The band partied with the good folks at Deli Mag to celebrate their
“Best of New York” Festival performing at Southpaw
Elizabeth and crew were featured on the MySpace homepage
Rolling Stone gave them love in the “Hype Monitor”
and AOL Spinner as their MP3 of the day.
iTunes chose Elizabeth & the Catapult for their coveted Next Big Thing promotion
The band’s long long-awaited Verve Forecast debut was recorded in Omaha
and produced by Mike Mogis (Bright Eyes, M. Ward and Rilo Kiley)
After select dates on the East Coast, Elizabeth & the Catapult hit the road in July for dates with Greg Laswell
More dates to come!
Tour Dates
Jun 19- The Red and The Black- Washington, D.C.
Jun 20- Coffee East- Easton, Maryland
Jun 24 -Soundcheck on WNYC- New York, New York
Jun 24- Housing Works- Live from Home series
Jun 25- Cafe 939- Boston, Massachusetts
Jun 26- The Space - Hamden, Connecticut
Jun 27- Tin Angel - Philadelphia, Pennsylvania
July 07- Stubbs BBQ (Indoors)- Austin, TX w/Greg Laswell
July 08- The Prophet Bar- Dallas, TX w/Greg Laswell
July 09- Workplay Theater- Birmingham, AL w/Greg Laswell
July 10- Eddie’s Attic- Decatur, GA w/Greg Laswell
July 11- The Evening Muse- Charlotte, NC w/Greg Laswell
July 19- The Bowery Ballroom- New York, NY- w/ Greg Laswell
July 20- The Thunderbird Café- Pittsburgh, PA
July 21- Rumba Café- Columbus, OH w/Greg Laswell
July 22nd- The Winchester Tavern & Music Hall- Cleveland, OH w/Greg Laswell
July 23rd- The Blind Pig- Ann Arbor, MI w/Greg Laswell
July 24th- Martyrs- Chicago, IL w/Greg Laswell
July 25th- Blueberry Hill, St Louis, MO w/Greg Laswell
July 28th- Walnut Room- Denver, CO w/Greg Laswell
July 29- Sho- Murray, UT w/Greg Laswell
August 4- Café du Nord, San Francisco, CA
August 6- The Troubadour- Los Angeles, CA- w/ Greg Laswell
Who LOVES Elizabeth & the Catapult:
NPR Best CD’s of 2006- “Discoveries: Elizabeth and the Catapult”
Billboard Underground Artist of the Month
Billboard Emergency Artist to Watch
Featured at the Aspen Idea’s Festival Studio 360
Featured on WNYC’s Soundcheck
The Village Voice:
"Elizabeth & the Catapult have managed to hurl themselves pretty far through word-of-mouth buzz. The unsigned local trio, led by vocalist Elizabeth Ziman and her Aimee Mann–like drawl, has built a loyal local fanbase via jazzy, buoyant pop songs; they're now making frequent appearances on NPR's Studio 360. Check out jaunty earworm "Momma's Boy," off their self-titled EP—these three won't be flying under the radar for long."
Spin.com Artist of the Day:
“The group utilizes elastic rhythms and dark subject matter that gives it’s songs a slow burn resonance. The sing-a-long swing of “Momma’s Boy” makes it one of the most tuneful kiss-off songs in recent memory. Fan so of Feist should be head over heels in no time.”
Billboard Mag:
“’Momma’s Boy’ is a weight title that will prompt savvy listeners to look for more from this budding act, while rewarding outlets that indulge Ziman by breaking type.”
Boston Globe:
"The self-assured Elizabeth and the Catapult prove what a sultry-voiced Greenwich Village habitué with a Norah Jones should do: Just let it flow."
www.elizabethandthecatapult.com
www.verveforecast.com
Thursday, July 2, 2009
The Dodos To Release Time To Die This Fall (YAY!)
Latest & Greatest Third LP Due Out Sept 15th On Frenchkiss Records
With a title like Time To Die, you might think the Dodos’ third disc is their ‘mature album,’ a deadly serious undertaking punctuated with string sections and synths. Nice try kid, but you’ve got it all wrong. While indie rock’s go-to guy, Phil Ek (Built to Spill, Fleet Foxes, The Shins), hopped behind the boards this time, the Dodos’ wildly-percussive style is still centered around two key elements: the punchy percussion of Logan Kroeber and the Fahey-infused finger-picking of frontman Meric Long. Oh sure, you’ll hear a horn blast here and there, but it’s never enough to distract you from the group’s riffs and rolls.
“I’m glad that we were able to keep things simple on this record,” says Long, “Because when your band gets a little popular, there’s this tendency to say things like, ‘Let’s add an orchestra on this one!” That works for some people, but it would detract from this band.”
Indeed, and as right as Long may be, Time To Die introduces one major addition to the Dodos’ creative core: Keaton Snyder, a 21-year-old music school dropout who plays a mean vibraphone. As Long puts it, “He’s a better musician than Logan and I combined. I don’t even know what’s going on with his music theory ideas half the time.” On a similar note, Snyder—a classically-trained musician—is constantly learning what ‘being in a band’ entails. In fact, he didn’t even know how to react when a chord was yanked during his Dodos debut. “After the show,” says Long, “he was like, ‘Yeah, I’ve never had to plug anything in before.’ It was hilarious.”
All jokes aside, you’d never know Snyder was the Dodos’ third man without looking at the new album’s liner notes. Not because he’s missing in action half the time; he’s just locked in step with Long’s steady-handed strumming and Kroeber’s canon-like beats. That, and Snyder’s actual sound/physical presence isn’t all that different than the visceral elements explored on the Dodos’ previous two albums, 2006’s Beware of the Maniacs and the band’s buzz-stirring breakthrough, 2008’s Visiter.
“The vibraphone is pretty crazy and loud,” says Long, “and if you put it through some effects, you can make it sound like a guitar or synthesizer. It still has that element of something you’re hitting, though, which is central to how Logan and I play our instruments.”
That’s the thing about Time To Die: It expands the Dodos’ Ginsu-sharp sound without smothering it. It’s not the death of everything you adored about the duo; it’s a rebirth, revealing some serious career standouts (the widescreen payoff of “Small Deaths,” the string-and-drum spasms of “Longform,” the delicate/distorted dynamics of Snyder’s “Troll Nacht” parts) along the way. Which isn’t a surprise when you hear how many months they spent writing the damn thing earlier this year.
“After Visiter, we had a lot of options for which direction to go,” says Long, “But I knew we wanted to make a rock record. Being an acoustic band—primarily, at least—sort of works against this idea, but Phil’s production showcased that side of our band.”
The Dodos Discuss Time To Die With Pitchfork
With a title like Time To Die, you might think the Dodos’ third disc is their ‘mature album,’ a deadly serious undertaking punctuated with string sections and synths. Nice try kid, but you’ve got it all wrong. While indie rock’s go-to guy, Phil Ek (Built to Spill, Fleet Foxes, The Shins), hopped behind the boards this time, the Dodos’ wildly-percussive style is still centered around two key elements: the punchy percussion of Logan Kroeber and the Fahey-infused finger-picking of frontman Meric Long. Oh sure, you’ll hear a horn blast here and there, but it’s never enough to distract you from the group’s riffs and rolls.
“I’m glad that we were able to keep things simple on this record,” says Long, “Because when your band gets a little popular, there’s this tendency to say things like, ‘Let’s add an orchestra on this one!” That works for some people, but it would detract from this band.”
Indeed, and as right as Long may be, Time To Die introduces one major addition to the Dodos’ creative core: Keaton Snyder, a 21-year-old music school dropout who plays a mean vibraphone. As Long puts it, “He’s a better musician than Logan and I combined. I don’t even know what’s going on with his music theory ideas half the time.” On a similar note, Snyder—a classically-trained musician—is constantly learning what ‘being in a band’ entails. In fact, he didn’t even know how to react when a chord was yanked during his Dodos debut. “After the show,” says Long, “he was like, ‘Yeah, I’ve never had to plug anything in before.’ It was hilarious.”
All jokes aside, you’d never know Snyder was the Dodos’ third man without looking at the new album’s liner notes. Not because he’s missing in action half the time; he’s just locked in step with Long’s steady-handed strumming and Kroeber’s canon-like beats. That, and Snyder’s actual sound/physical presence isn’t all that different than the visceral elements explored on the Dodos’ previous two albums, 2006’s Beware of the Maniacs and the band’s buzz-stirring breakthrough, 2008’s Visiter.
“The vibraphone is pretty crazy and loud,” says Long, “and if you put it through some effects, you can make it sound like a guitar or synthesizer. It still has that element of something you’re hitting, though, which is central to how Logan and I play our instruments.”
That’s the thing about Time To Die: It expands the Dodos’ Ginsu-sharp sound without smothering it. It’s not the death of everything you adored about the duo; it’s a rebirth, revealing some serious career standouts (the widescreen payoff of “Small Deaths,” the string-and-drum spasms of “Longform,” the delicate/distorted dynamics of Snyder’s “Troll Nacht” parts) along the way. Which isn’t a surprise when you hear how many months they spent writing the damn thing earlier this year.
“After Visiter, we had a lot of options for which direction to go,” says Long, “But I knew we wanted to make a rock record. Being an acoustic band—primarily, at least—sort of works against this idea, but Phil’s production showcased that side of our band.”
The Dodos Discuss Time To Die With Pitchfork
New 311 Single "It's Alright", Audio Stream and Tour Update
Uplifter, (Volcano/Jive Records) the 9th studio album from multi-platinum rock band 311 debuts at #3 on the Billboard Top 200 Albums Chart. It is the band’s highest ever album chart debut. 311 is comprised of Nick Hexum (vocals, rhythm guitar), SA Martinez (vocals, turntables), Tim Mahoney (lead guitar), P-Nut (bass guitar) and Chad Sexton (drums).
Combining 311’s signature rock-reggae sound and inspired lyrics, the band is excited to release their next single “It’s Alright”!
Give it a listen - http://girlieaction.us1.list-manage.com/track/click?u=1d59aca4aeedaab429816159e&id=3d433be364&e=e522cab9be
311’s celebratory live shows & incessant touring schedule have earned them a massive grassroots following nationwide. Since its inception in 2004, 311’s annual summer headlining amphitheatre run, Unity Tour, has become one of the largest annual modern rock tours of the summer. Support acts on the past five Unity Tours have included Snoop Dogg, The Roots, Papa Roach, The Wailers, O.A.R. and Matisyahu.
Uplifter is the band’s first studio record in three years and was produced by the legendary producer Bob Rock. As the title suggests, the band’s new album is an uplifting collection of 311's trademark blend of rock & reggae, elevated dynamic musicianship and big anthemic choruses. The deluxe edition of Uplifter includes a special DVD documentary, The Road to 311 Day, directed by Wayne Price. The documentary includes interviews, backstage footage and live performances, following the band and their fans for weeks leading up to the 3-11 Day concert event in New Orleans in 2008.
311 have released five Gold, one Platinum, and one Triple-Platinum-certified albums, a live album and three DVD’s (one Gold, two Platinum-certified). Five of their releases have reached the Top 10 on Billboard’s Top 200 Albums Chart. Six singles have gone into the Top 10 on Billboard’s Modern Rock Chart including the #1 hits “Down,” “Love Song,” and “Don’t Tread On Me.” To date band has sold over 8 million units in the U.S.
UNITY TOUR 2009 w/ Ziggy Marley and The Expendables:
06/16: Cleveland, OH @ Time Warner Amphitheatre
06/17: Columbus, OH @ Lifestyles Communities Pavilion
06/19: Detroit, MI @ Freedom Hill
06/20: Cincinnati, OH @ Riverbend Amphitheatre
06/21: Indianapolis, IN @ The Lawns
06/23: Saratoga, NY @ SPAC
06/24: Boston, MA @ Comcast Center
06/25: New York, NY @ Central Park Summerstage
06/27: Holmdel, NJ @ PNC Bank Art Center
06/28: Washington DC @ Nissan Pavilion
06/30: Philadelphia, PA @ Penns Landing
07/01: Virginia Beach, VA @ Verizon Wireless Amphitheatre
07/03: Charlotte, NC @ Verizon Wireless Amphitheatre
07/04: Atlanta, GA @ Lakewood Amphitheatre
07/05: Raleigh, NC @ Walnut Creek Amphitheatre
07/07: St. Louis, MO @ Verizon Amphitheatre
07/10: Phoenix, AZ @ Dodge Theatre
07/11: San Diego, CA @ Cricket Wireless Amphitheatre
07/12: Irvine, CA @ Verizon Wireless Amphitheatre
Combining 311’s signature rock-reggae sound and inspired lyrics, the band is excited to release their next single “It’s Alright”!
Give it a listen - http://girlieaction.us1.list-manage.com/track/click?u=1d59aca4aeedaab429816159e&id=3d433be364&e=e522cab9be
311’s celebratory live shows & incessant touring schedule have earned them a massive grassroots following nationwide. Since its inception in 2004, 311’s annual summer headlining amphitheatre run, Unity Tour, has become one of the largest annual modern rock tours of the summer. Support acts on the past five Unity Tours have included Snoop Dogg, The Roots, Papa Roach, The Wailers, O.A.R. and Matisyahu.
Uplifter is the band’s first studio record in three years and was produced by the legendary producer Bob Rock. As the title suggests, the band’s new album is an uplifting collection of 311's trademark blend of rock & reggae, elevated dynamic musicianship and big anthemic choruses. The deluxe edition of Uplifter includes a special DVD documentary, The Road to 311 Day, directed by Wayne Price. The documentary includes interviews, backstage footage and live performances, following the band and their fans for weeks leading up to the 3-11 Day concert event in New Orleans in 2008.
311 have released five Gold, one Platinum, and one Triple-Platinum-certified albums, a live album and three DVD’s (one Gold, two Platinum-certified). Five of their releases have reached the Top 10 on Billboard’s Top 200 Albums Chart. Six singles have gone into the Top 10 on Billboard’s Modern Rock Chart including the #1 hits “Down,” “Love Song,” and “Don’t Tread On Me.” To date band has sold over 8 million units in the U.S.
UNITY TOUR 2009 w/ Ziggy Marley and The Expendables:
06/16: Cleveland, OH @ Time Warner Amphitheatre
06/17: Columbus, OH @ Lifestyles Communities Pavilion
06/19: Detroit, MI @ Freedom Hill
06/20: Cincinnati, OH @ Riverbend Amphitheatre
06/21: Indianapolis, IN @ The Lawns
06/23: Saratoga, NY @ SPAC
06/24: Boston, MA @ Comcast Center
06/25: New York, NY @ Central Park Summerstage
06/27: Holmdel, NJ @ PNC Bank Art Center
06/28: Washington DC @ Nissan Pavilion
06/30: Philadelphia, PA @ Penns Landing
07/01: Virginia Beach, VA @ Verizon Wireless Amphitheatre
07/03: Charlotte, NC @ Verizon Wireless Amphitheatre
07/04: Atlanta, GA @ Lakewood Amphitheatre
07/05: Raleigh, NC @ Walnut Creek Amphitheatre
07/07: St. Louis, MO @ Verizon Amphitheatre
07/10: Phoenix, AZ @ Dodge Theatre
07/11: San Diego, CA @ Cricket Wireless Amphitheatre
07/12: Irvine, CA @ Verizon Wireless Amphitheatre
BJORK RELEASES VOLTAIC
Bjork's Voltaic is in stores now via Nonesuch Records in the U.S. (One Little Indian in the UK, and Universal worldwide.) Voltaic a lovingly packaged celebration of the past two years of Björk’s Volta activities.
Voltaic DVD 1 (the volta tour)
Filmed highlights from the Volta tour, recorded in Paris and Reykjavik (currently screening around the country...dates below)
Voltaic DVD 2 (the volta videos)
All of the Volta music videos, including the “Declare Independence” clip directed by Michel Gondry.
Voltaic CD 2 (the volta mixes)
Key remixes from Volta, with versions of “Earth Intruders,” “Declare Independence,” and “Wanderlust,” by the likes of Simian Mobile Disco, Matthew Herbert, Graeme Sinden, Ghostigital, and Modeselektor.
Voltaic CD 1 (live at olympic studios)
Songs from the Volta tour recorded live at the legendary Olympic Studios in London, just before Björk’s headlining show at the Glastonbury Festival in 2007. It was recorded in one afternoon, and the whole set was played live before being produced and mixed by Björk.
Sebastien Grainger has released the second official single from his 2008 debut full-length Sebastien Grainger and the Mountains.
'Who Do We Care For'' is backed with ''It's a Living,'' a new track recently recorded for this release. Both tracks are available through the Saddle Creek Online Store, iTunes, emusic and other digital outlets.
Videos for both songs are also available for purchase via iTunes or for viewing on youtube (''Who Do We Care For'' here ( http://www.youtube.com/watch?v=dRjV904QxBE ) and ''It's a Living'' here ( http://www.youtube.com/watch?v=hNeo0uu6rxQ )).
Sebastien continues a North American tour with Metric tonight in New York before wrapping up this weekend in Philadelphia.
What people are saying about Sebastien Grainger and The Mountains:
...addictive, catchy rock'n'roll anthems...songs firmly anchored in Grainger's foolproof songwriting. - Exclaim!
...it's an exciting look towards his future, as he shows a unique mastery of pop's rougher edges. Imagine Spector-era pop growing a mohawk. - Qromag.com
Grainger's previous band, Death From Above 1979, burned out way too early. Still, the essential energy in his performance powers through...a welcome payoff to a dance-punk dream destroyed. - Alternative Press
Sebastien allows melody to take center stage, so every song is catchy and memorable...But the most remarkable thing is Sebastien’s voice: it’s always real, truthful and powerful. - Elmore
Sebastien Grainger - Summer 2009
Thu-Jun-04, Seattle, WA, Showbox
Fri-Jun-05, Portland, OR, Wonder Ballroom
Mon-Jun-08, Los Angeles, CA, Wiltern
Thu-Jun-11, Denver, CO, Ogden Theater
Fri-Jun-12, Lawrence, KS, Granada
Sat-Jun-13, Minneapolis, MN, First Avenue
Sun-Jun-14, Chicago, IL, Metro
Mon-Jun-15, Detroit, MI, St. Andrews Hall
Wed-Jun-17, New York, NY, Terminal 5
Thu-Jun-18, Washington, DC, 9:30 Club
Fri-Jun-19, Philadelphia, PA, Trocadero
All shows with Metric
Videos for both songs are also available for purchase via iTunes or for viewing on youtube (''Who Do We Care For'' here ( http://www.youtube.com/watch?v=dRjV904QxBE ) and ''It's a Living'' here ( http://www.youtube.com/watch?v=hNeo0uu6rxQ )).
Sebastien continues a North American tour with Metric tonight in New York before wrapping up this weekend in Philadelphia.
What people are saying about Sebastien Grainger and The Mountains:
...addictive, catchy rock'n'roll anthems...songs firmly anchored in Grainger's foolproof songwriting. - Exclaim!
...it's an exciting look towards his future, as he shows a unique mastery of pop's rougher edges. Imagine Spector-era pop growing a mohawk. - Qromag.com
Grainger's previous band, Death From Above 1979, burned out way too early. Still, the essential energy in his performance powers through...a welcome payoff to a dance-punk dream destroyed. - Alternative Press
Sebastien allows melody to take center stage, so every song is catchy and memorable...But the most remarkable thing is Sebastien’s voice: it’s always real, truthful and powerful. - Elmore
Sebastien Grainger - Summer 2009
Thu-Jun-04, Seattle, WA, Showbox
Fri-Jun-05, Portland, OR, Wonder Ballroom
Mon-Jun-08, Los Angeles, CA, Wiltern
Thu-Jun-11, Denver, CO, Ogden Theater
Fri-Jun-12, Lawrence, KS, Granada
Sat-Jun-13, Minneapolis, MN, First Avenue
Sun-Jun-14, Chicago, IL, Metro
Mon-Jun-15, Detroit, MI, St. Andrews Hall
Wed-Jun-17, New York, NY, Terminal 5
Thu-Jun-18, Washington, DC, 9:30 Club
Fri-Jun-19, Philadelphia, PA, Trocadero
All shows with Metric
The new CD/LP/Digital from Cursive, Mama I'm Swollen, is now in stores.
The band just completed the second video from the record. Check out the clip for ''I Couldn't Love You'' on youtube (http://www.youtube.com/watch?v=hlPDUlreibE). The video was directed by Danny Drysdale and features actress Tania Raymonde from the television show ''Lost.'' The first video from the record, ''From The Hips,'' is also on youtube ( http://www.youtube.com/watch?v=ZgJfr-195xk ).
A new online session is now available via Lakefever ( http://www.lakefeversessions.com/session/cursive/ ). This adds to several other recent appearances at the Late Show with David Letterman ( http://lateshow.cbs.com/latenight/lateshow/live/index/php/981085.phtml?play=1 ), Spin ( http://www.spin.com/articles/spin-sessions-cursive-unplugged ), Shockhound ( http://www.shockhound.com/videos/490-shock-sessions ), Babelgum ( http://www.babelgum.com/html/clip.php?clipId=3017676 ) and Roxwel ( http://www.roxwel.com/player/sxsw09cursive.html ).
What people are saying about Mama, I'm Swollen:
...Cursive rocking out at its best. Lyrically, frontman Tim Kasher never misses a step (see the men-as-animals ‘From The Hips’ and ‘Donkeys’), proving once again why he’s among indie rock’s greats. – Billboard
Equal parts noise-rock with a respect for tried-and-true melodies, these tales of misery have enough gumption to truly lay it on the line. – Filter Good Music Guide
Mama, I’m Swollen might be Cursive’s most body-rocking album yet, with its bounty of hard-edged guitar riffs, vinegary horn licks and thorny, Fugazi-like melodies. – Time Out New York
...absolutely stellar. - AltPress.com
Cursive - Summer 2009
Wed-Jun-17, Lincoln, NE, Box Awesome
Thu-Jun-18, Sioux Falls, SD, Nutty's North
Fri-Jun-19, Rapid City, SD, Dahl Center
Sat-Jun-20, Billings, MT, Yellowstone Valley Brewing
Sun-Jun-21, Missoula, MT, The Palace
Tue-Jun-23, Seattle, WA, Neumo's
Wed-Jun-24, Portland, OR, Wonder Ballroom
Fri-Jun-26, Orangeville, CA, Sacramento Boardwalk
Sat-Jun-27, San Francisco, CA, Great American Music Hall
Sun-Jun-28, Los Angeles, CA, El Rey Theatre
Mon-Jun-29, Pomona, CA, Glass House
Tue-Jun-30, Las Vegas, NV, Beauty Bar
Wed-Jul-01, Salt Lake City, UT, In The Venue
Fri-Jul-24, Omaha, NE, Wild About Omaha at Slowdown/Film Streams
Sat-Jul-25, Iowa City, IA, Picador
Sun-Jul-26, Dekalb, IL, Otto's
Mon-Jul-27, Indianapolis, IN, Radio Radio
Tue-Jul-28, Pontiac, MI, Pike Room
Wed-Jul-29, Cleveland, OH, Grog Shop
Thu-Jul-30, Rochester, NY, Bug Jar
Fri-Jul-31, Buffalo, NY, Tralf Music Hall
Sat-Aug-01, Toronto, ONT, Horseshoe Tavern
Sun- Aug-02, Montreal, QC, Osheaga Music and Arts Festival
Mon-Aug-03, Cambridge, MA, Middle East (downstairs)
Tue-Aug-04, Milford, CT, Daniel Street
Thu-Aug-06, Hoboken, NJ, Maxwell's
Fri-Aug-07, Philadelphia, PA, First Unitarian Church
Sat-Aug-08, Baltimore, MD, Otto Bar
6/17-7/1 with Box Elders
6/23-29 with Mt. St. Helens Vietnam Band
7/24 with Azure Ray and Flowers Forever
A new online session is now available via Lakefever ( http://www.lakefeversessions.com/session/cursive/ ). This adds to several other recent appearances at the Late Show with David Letterman ( http://lateshow.cbs.com/latenight/lateshow/live/index/php/981085.phtml?play=1 ), Spin ( http://www.spin.com/articles/spin-sessions-cursive-unplugged ), Shockhound ( http://www.shockhound.com/videos/490-shock-sessions ), Babelgum ( http://www.babelgum.com/html/clip.php?clipId=3017676 ) and Roxwel ( http://www.roxwel.com/player/sxsw09cursive.html ).
What people are saying about Mama, I'm Swollen:
...Cursive rocking out at its best. Lyrically, frontman Tim Kasher never misses a step (see the men-as-animals ‘From The Hips’ and ‘Donkeys’), proving once again why he’s among indie rock’s greats. – Billboard
Equal parts noise-rock with a respect for tried-and-true melodies, these tales of misery have enough gumption to truly lay it on the line. – Filter Good Music Guide
Mama, I’m Swollen might be Cursive’s most body-rocking album yet, with its bounty of hard-edged guitar riffs, vinegary horn licks and thorny, Fugazi-like melodies. – Time Out New York
...absolutely stellar. - AltPress.com
Cursive - Summer 2009
Wed-Jun-17, Lincoln, NE, Box Awesome
Thu-Jun-18, Sioux Falls, SD, Nutty's North
Fri-Jun-19, Rapid City, SD, Dahl Center
Sat-Jun-20, Billings, MT, Yellowstone Valley Brewing
Sun-Jun-21, Missoula, MT, The Palace
Tue-Jun-23, Seattle, WA, Neumo's
Wed-Jun-24, Portland, OR, Wonder Ballroom
Fri-Jun-26, Orangeville, CA, Sacramento Boardwalk
Sat-Jun-27, San Francisco, CA, Great American Music Hall
Sun-Jun-28, Los Angeles, CA, El Rey Theatre
Mon-Jun-29, Pomona, CA, Glass House
Tue-Jun-30, Las Vegas, NV, Beauty Bar
Wed-Jul-01, Salt Lake City, UT, In The Venue
Fri-Jul-24, Omaha, NE, Wild About Omaha at Slowdown/Film Streams
Sat-Jul-25, Iowa City, IA, Picador
Sun-Jul-26, Dekalb, IL, Otto's
Mon-Jul-27, Indianapolis, IN, Radio Radio
Tue-Jul-28, Pontiac, MI, Pike Room
Wed-Jul-29, Cleveland, OH, Grog Shop
Thu-Jul-30, Rochester, NY, Bug Jar
Fri-Jul-31, Buffalo, NY, Tralf Music Hall
Sat-Aug-01, Toronto, ONT, Horseshoe Tavern
Sun- Aug-02, Montreal, QC, Osheaga Music and Arts Festival
Mon-Aug-03, Cambridge, MA, Middle East (downstairs)
Tue-Aug-04, Milford, CT, Daniel Street
Thu-Aug-06, Hoboken, NJ, Maxwell's
Fri-Aug-07, Philadelphia, PA, First Unitarian Church
Sat-Aug-08, Baltimore, MD, Otto Bar
6/17-7/1 with Box Elders
6/23-29 with Mt. St. Helens Vietnam Band
7/24 with Azure Ray and Flowers Forever
Orenda Fink and Maria Taylor are getting the band back together.
Following a one off show in Los Angeles this past winter, Azure Ray are planning their first US tour in over five years! The quick tour starts in Portland on July 10 and runs through Omaha on July 24, where they will play a free outdoor show with Cursive and Flowers Forever. Full dates are listed below.
Azure Ray - Summer 2009
Fri-Jul-10, Portland, OR, Mississippi Studios
Sat-Jul-11, Bellingham, WA, The Nightlight
Sun-Jul-12, Seattle, WA, Neumos
Tue-Jul-14, San Jose, CA, Nickel City Arcade
Thu-Jul-16, San Francisco, CA, Great American Music Hall
Fri-Jul-17, Santa Barbara, CA, Velvet Jones
Sat-Jul-18, Pomona, CA, Glasshouse
Fri-Jul-24, Omaha, NE, Wild About Omaha at Slowdown/Film Streams
7/24 with Cursive and Flowers Forever
Azure Ray - Summer 2009
Fri-Jul-10, Portland, OR, Mississippi Studios
Sat-Jul-11, Bellingham, WA, The Nightlight
Sun-Jul-12, Seattle, WA, Neumos
Tue-Jul-14, San Jose, CA, Nickel City Arcade
Thu-Jul-16, San Francisco, CA, Great American Music Hall
Fri-Jul-17, Santa Barbara, CA, Velvet Jones
Sat-Jul-18, Pomona, CA, Glasshouse
Fri-Jul-24, Omaha, NE, Wild About Omaha at Slowdown/Film Streams
7/24 with Cursive and Flowers Forever
UUVVWWZ - UUVVWWZ CD/Digital - July 7, 2009
Etymology: First written on a ripped up paper bag. Originally pronounced while pointing along. Subsequently laughed at. ''Double ‘U’, double ‘V’, double ‘W’… ‘Z’'' almost immediately began rolling off the tongues of a devoted group of admirers. Before long, many more had learned how to pronounce the name correctly as well. Hopefully that answers that question.
History: In 2007 four particles merged to form a unit, using a fine paste consisting of pasta and cigarette ash to act as a bonding agent. Soon enough, things began to grow and mutate. Vocal chords developed and faint gurgling noises are believed to have followed. As time passed, legs appeared and a slow crawl out of the primordial soup began. Using its newfound locomotion, the creature proceeded to spread noises throughout its immediate surroundings (Lincoln, NE) and eventually grew to utilize tools (friend’s mom’s minivan) to venture into foreign environments as well. UUVVWWZ as we know it today had arisen.
Once the critical 9-song mark was reached, a recording was produced to capture the feat for all of time and space. Experts drew comparisons to other well-known musical mutations such as Captain Beefheart, Deerhoof, Dog Faced Hermans, and Lydia Lunch. Attempts at categorization soon followed, for better (avant-rock and blues) or worse (power-jazz). One thing is certain, UUVVWWZ is a rare bird. We’ve pinned it down to the tray and it’s all splayed out, ready for dissection.
History: In 2007 four particles merged to form a unit, using a fine paste consisting of pasta and cigarette ash to act as a bonding agent. Soon enough, things began to grow and mutate. Vocal chords developed and faint gurgling noises are believed to have followed. As time passed, legs appeared and a slow crawl out of the primordial soup began. Using its newfound locomotion, the creature proceeded to spread noises throughout its immediate surroundings (Lincoln, NE) and eventually grew to utilize tools (friend’s mom’s minivan) to venture into foreign environments as well. UUVVWWZ as we know it today had arisen.
Once the critical 9-song mark was reached, a recording was produced to capture the feat for all of time and space. Experts drew comparisons to other well-known musical mutations such as Captain Beefheart, Deerhoof, Dog Faced Hermans, and Lydia Lunch. Attempts at categorization soon followed, for better (avant-rock and blues) or worse (power-jazz). One thing is certain, UUVVWWZ is a rare bird. We’ve pinned it down to the tray and it’s all splayed out, ready for dissection.
The Rural Alberta Advantage - Hometowns CD/LP/Digital - July 7, 2009
The Rural Alberta Advantage was born out of singer/songwriter Nils Edenloff's exodus from the province that inspired the band's name and many of the songs from their enthralling debut album, Hometowns.
Edenloff grappled with homesickness after his move from Edmonton, Alberta to Toronto, Ontario in 2003. To cope with his loneliness and isolation in the 'big city', the shy songwriter penned a series of odes to his former home, celebrating the country's wild rose, the purple skies and the ''dethbridge in Lethbridge.''
On the urging of his fellow ex-pat musician friends, Edenloff took his songs to a struggling weekly Open Mic night in early 2005 to perform them for an audience. In a matter of weeks, he was handed the job (paid in beer and 2-for-1 pasta specials) of hosting the night alongside drummer Paul Banwatt. The two quickly formed a musical bond, with Edenloff's plaintive folk songs backed by Banwatt's raucous, razor-sharp percussion. As the Open Mic night faltered, the two found themselves playing hours' worth of songs per night, and developed a solid ''set list'' for their weekly routine.
The twosome's arrangement became permanent as a series of other local musicians joined and left the project (by now dubbed ''The Rural Alberta Advantage''', courtesy of a provincial slogan co-opted by Edenloff's brother). The pub that had been home to their Open Mic night closed down (their final night featured a classic barroom brawl involving overzealous motorcycle gang members/would-be karaoke stars), but the Rural Alberta Advantage continued to perform, now playing shows in and around Toronto. A demo was recorded in late 2005, featuring Edenloff, Banwatt, Amy Cole, Ken Farrell and Anissa Hart (Ohbijou). By the completion of the demo, the RAA settled into its current, three-piece formation, with Cole becoming a permanent member of the band.
In 2006, the Rural Alberta Advantage recorded a five-song, self-titled EP. Shortly thereafter, the group was invited to play a show with local indie rock superstars Henri Faberge and The Adorables at their weekly residency at Kensington Market hotspot The Embassy. As official an initiation into the indie-rock community in Toronto as there could be, The RAA played the show to great acclaim from the Adorables' faithful. Thanks to their exciting live performances and gritty, honest songs, a loyal following for the RAA began to grow. The band continued to play in Toronto and throughout eastern Canada, steadily increasing their fanbase with a performance on MTV Canada and a slot at the Pop Montreal festival in 2007.
As well as playing live, the band spent much of 2007 in the studio, recording their debut full-length record, Hometowns. Originally scheduled to be the inaugural release of a new record label formed by a local producer, the band found themselves label-less when the producer decided to abandon his plan. The RAA began selling copies of Hometowns themselves at shows in early 2008, without an official release.
Hometowns began catching the ears of bloggers across the country on pure word-of-mouth. Herohill.com proclaimed the RAA ''the best unsigned band in Canada.'' and I Heart Music.net deemed Hometowns ''a near-perfect album.'' The band's reputation for stellar live shows garnered them a sellout crowd at the 2008 North By Northeast festival, and the band played similarly successful showcases at the 2008 iterations of the Halifax Pop Explosion and Pop Montreal.
The band's big break came in November 2008, when major digital music retailer eMusic.com selected the Rural Alberta Advantage, from a fan recommendation, as an eMusic Selects artist. This honour gave the band publicity and exposure to over 400,000 music fans and subscribers worldwide. Repeating, and surpassing, the successes of past Selects artists Crystal Stilts and High Places, the RAA sold thousands of copies of their record in mere weeks, an astounding feat for an unsigned act. Hometowns became the highest-selling Selects album in history and a critical darling overnight, appearing on dozens of ''Best of 2008'' lists in newspapers, blogs, and radio podcasts across North America and Europe.
The inspiring DIY success story of the Rural Alberta Advantage has continued to gain momentum and attract fans and followers, with a breakthrough performance at eMusic's showcase at the 2009 SXSW festival in Austin, Texas, getting the seal of approval from Pitchfork (''This band could be huge'') and a nod as a ''buzz band'' from the Associated Press. More glowing press reviews and sold-out club dates in major cities throughout the United States have followed, and the trio of kids from Canada now find themselves signed to US indie giant Saddle Creek. Hometowns will be released properly for the first time on Saddle Creek in Summer 2009, and more tour dates throughout the USA and Canada are planned.
The Rural Alberta Advantage - Summer 2009
Sat-Jun-20, Indianapolis, IN, The Vollrath
Sun-Jun-21, Madison, WI, High Noon Saloon
Mon-Jun-22, Minneapoils, MN, 7th Street Entry
Tue-Jun-23, Winnipeg, MB, Royal Albert Arms
Thu-Jun-25, Calgary, AB, Sled Island Festival
Fri-Jun-26, Calgary, AB, Sled Island Festival
Sat-Jun-27, Edmonton, AB, Brixx
Tue-Jun-30, Regina, SK, The Club at The Exchange
Sun-Jul-05, Vancouver, BC, The Media Club
Mon-Jul-06, Seattle, WA, Sunset Tavern
Tue-Jul-07, Portland, OR, Backspace
Thu-Jul-09, San Francisco, CA, Bottom of the Hill
Fri-Jul-10, Los Angeles, CA, The Echo
Sat-Jul-11, Phoenix, AZ, Modified
Mon-Jul-13, Salt Lake City, UT, Kilby Court
Tue-Jul-14, Denver, CO, Hi-Dive
Wed-July-15, Omaha, NE, Slowdown
Sat-Jul-25, Guelph, ON, Hillside Festival
Sun-Jul-26, Guelph, ON, Hillside Festival
Sat-Aug-01, Montreal, QC, Osheaga Music and Arts Festival
Sun-Aug-02, Montreal, QC, Osheaga Music and Arts Festival
Tue-Aug-04, Brooklyn, NY, Music Hall of Williamsburg
Wed-Aug-05, Cambridge, MA, Middle East (Upstairs)
Thu-Aug-06, Ottawa, ON, Mavericks
Sat-Aug-08, Wolfe Island, ON, Wolfe Island Musicfest
Mon-Aug-24, Chicago, IL, Pritzker Pavilion
Thu-Aug-27, Mount Pleasant, MI, Rubble's Bar
Edenloff grappled with homesickness after his move from Edmonton, Alberta to Toronto, Ontario in 2003. To cope with his loneliness and isolation in the 'big city', the shy songwriter penned a series of odes to his former home, celebrating the country's wild rose, the purple skies and the ''dethbridge in Lethbridge.''
On the urging of his fellow ex-pat musician friends, Edenloff took his songs to a struggling weekly Open Mic night in early 2005 to perform them for an audience. In a matter of weeks, he was handed the job (paid in beer and 2-for-1 pasta specials) of hosting the night alongside drummer Paul Banwatt. The two quickly formed a musical bond, with Edenloff's plaintive folk songs backed by Banwatt's raucous, razor-sharp percussion. As the Open Mic night faltered, the two found themselves playing hours' worth of songs per night, and developed a solid ''set list'' for their weekly routine.
The twosome's arrangement became permanent as a series of other local musicians joined and left the project (by now dubbed ''The Rural Alberta Advantage''', courtesy of a provincial slogan co-opted by Edenloff's brother). The pub that had been home to their Open Mic night closed down (their final night featured a classic barroom brawl involving overzealous motorcycle gang members/would-be karaoke stars), but the Rural Alberta Advantage continued to perform, now playing shows in and around Toronto. A demo was recorded in late 2005, featuring Edenloff, Banwatt, Amy Cole, Ken Farrell and Anissa Hart (Ohbijou). By the completion of the demo, the RAA settled into its current, three-piece formation, with Cole becoming a permanent member of the band.
In 2006, the Rural Alberta Advantage recorded a five-song, self-titled EP. Shortly thereafter, the group was invited to play a show with local indie rock superstars Henri Faberge and The Adorables at their weekly residency at Kensington Market hotspot The Embassy. As official an initiation into the indie-rock community in Toronto as there could be, The RAA played the show to great acclaim from the Adorables' faithful. Thanks to their exciting live performances and gritty, honest songs, a loyal following for the RAA began to grow. The band continued to play in Toronto and throughout eastern Canada, steadily increasing their fanbase with a performance on MTV Canada and a slot at the Pop Montreal festival in 2007.
As well as playing live, the band spent much of 2007 in the studio, recording their debut full-length record, Hometowns. Originally scheduled to be the inaugural release of a new record label formed by a local producer, the band found themselves label-less when the producer decided to abandon his plan. The RAA began selling copies of Hometowns themselves at shows in early 2008, without an official release.
Hometowns began catching the ears of bloggers across the country on pure word-of-mouth. Herohill.com proclaimed the RAA ''the best unsigned band in Canada.'' and I Heart Music.net deemed Hometowns ''a near-perfect album.'' The band's reputation for stellar live shows garnered them a sellout crowd at the 2008 North By Northeast festival, and the band played similarly successful showcases at the 2008 iterations of the Halifax Pop Explosion and Pop Montreal.
The band's big break came in November 2008, when major digital music retailer eMusic.com selected the Rural Alberta Advantage, from a fan recommendation, as an eMusic Selects artist. This honour gave the band publicity and exposure to over 400,000 music fans and subscribers worldwide. Repeating, and surpassing, the successes of past Selects artists Crystal Stilts and High Places, the RAA sold thousands of copies of their record in mere weeks, an astounding feat for an unsigned act. Hometowns became the highest-selling Selects album in history and a critical darling overnight, appearing on dozens of ''Best of 2008'' lists in newspapers, blogs, and radio podcasts across North America and Europe.
The inspiring DIY success story of the Rural Alberta Advantage has continued to gain momentum and attract fans and followers, with a breakthrough performance at eMusic's showcase at the 2009 SXSW festival in Austin, Texas, getting the seal of approval from Pitchfork (''This band could be huge'') and a nod as a ''buzz band'' from the Associated Press. More glowing press reviews and sold-out club dates in major cities throughout the United States have followed, and the trio of kids from Canada now find themselves signed to US indie giant Saddle Creek. Hometowns will be released properly for the first time on Saddle Creek in Summer 2009, and more tour dates throughout the USA and Canada are planned.
The Rural Alberta Advantage - Summer 2009
Sat-Jun-20, Indianapolis, IN, The Vollrath
Sun-Jun-21, Madison, WI, High Noon Saloon
Mon-Jun-22, Minneapoils, MN, 7th Street Entry
Tue-Jun-23, Winnipeg, MB, Royal Albert Arms
Thu-Jun-25, Calgary, AB, Sled Island Festival
Fri-Jun-26, Calgary, AB, Sled Island Festival
Sat-Jun-27, Edmonton, AB, Brixx
Tue-Jun-30, Regina, SK, The Club at The Exchange
Sun-Jul-05, Vancouver, BC, The Media Club
Mon-Jul-06, Seattle, WA, Sunset Tavern
Tue-Jul-07, Portland, OR, Backspace
Thu-Jul-09, San Francisco, CA, Bottom of the Hill
Fri-Jul-10, Los Angeles, CA, The Echo
Sat-Jul-11, Phoenix, AZ, Modified
Mon-Jul-13, Salt Lake City, UT, Kilby Court
Tue-Jul-14, Denver, CO, Hi-Dive
Wed-July-15, Omaha, NE, Slowdown
Sat-Jul-25, Guelph, ON, Hillside Festival
Sun-Jul-26, Guelph, ON, Hillside Festival
Sat-Aug-01, Montreal, QC, Osheaga Music and Arts Festival
Sun-Aug-02, Montreal, QC, Osheaga Music and Arts Festival
Tue-Aug-04, Brooklyn, NY, Music Hall of Williamsburg
Wed-Aug-05, Cambridge, MA, Middle East (Upstairs)
Thu-Aug-06, Ottawa, ON, Mavericks
Sat-Aug-08, Wolfe Island, ON, Wolfe Island Musicfest
Mon-Aug-24, Chicago, IL, Pritzker Pavilion
Thu-Aug-27, Mount Pleasant, MI, Rubble's Bar
CHIMAIRA SLAYS AT HOMETOWN SECRET SHOW…FEATURED ON MYSPACE
Cleveland’s six-headed metal beast, CHIMAIRA, recently took to the stage for a FREE secret show at The Grog Shop in their hometown and left utter destruction in their wake. A full review with photos is currently being featured by MySpace and is available at www.myspace.com/secretshows.
Singer Mark Hunter commented on the Secret Hometown gig: “Anyone who slept on this in Cleveland is a jackass. This show was a blast and is the closest thing to how it was seeing us in 1999. We can't thank MySpace, The Grog Shop and our Cleveland fans enough!”
CHIMAIRA recently wrapped up a support run on the Music As A Weapon tour with Disturbed, and are now looking ahead to a string of headlining dates leading up to the Decimation of the Nation tour this summer with Hatebreed. Full US tour dates are listed below.
Be sure to visit www.chimaira.com and www.myspace.com/chimaira for the latest CHIMAIRA news.
Chimaira Headlining
7/22 Columbus, OH- Newport Music Hall
7/23 Madison, WI- The Majestic Theatre
7/24 Toledo, OH- The Zodiac formerly Club Bijou (Toledo Metal Fest)
7/25 Louisville, KY- Headliner's Music Hall
7/26 Asheville, NC -The Orange Peel
7/27 Raleigh, NC- Lincoln Theatre
7/28 Lancaster, PA - Chameleon Club
7/29 Poughkeepsie, NY- The Chance
Chimaira w/ DECIMATION OF THE NATION Hatebreed, Wings of Plague, dying fetus, Toxic Holocaust
7/31 - ROCHESTER, NY - WATER STREET MUSIC HALL-
8/1 – FLINT, MI - MACHINE
8/2 - TRAVERSE CITY, MI - THE TERMINAL
8/3 - GREEN BAY, WI - RIVERSIDE BALLROOM
8/4 - SIOUX FALLS, SD - NUTTY’S NORTH
8/5 - DES MOINES, IA - PEOPLES COURT
8/6 - FT. WAYNE, IN - PIERE’S
8/7 – MOKENA, IL - THE PEARL ROOM
8/8 – SPRINGFIELD, MO - REMMINGTON’S DOWNTOWN
8/10 - FT COLLINS, CO - AGGIE THEATRE
8/11 - GRAND JUNCTION, CO - MESATHEATRE
8/13 – BOISE, ID - KNITTING FACTORY
8/14 – SPARKS, NV- NEW OASIS
8/15 – CHICO, CA - SENATOR THEATRE
8/16 - SANTA CRUZ, CA - CATALYST
8/17 – VENTURA, CA - MAJESTIC VENTURE THEATRE
8/18 – POMONA, CA - GLASSHOUSE
8/19 – TUCSON, AZ - RIALTO THEATRE
8/21 - OKLAHOMA CITY, OK - DIAMOND BALLROOM
8/22 – AUSTIN, TX - EMO’S
8/23 - CORPUS CHRISTI, TX - CONCRETE ST AMPHITHEATRE
8/24 – LAFAYETTE, LA - GRANT ST DANCEHALL
8/25 - LITTLE ROCK, AR - THE VILLAGE
8/26 – JACKSON, MS - FIRE
8/27 – KNOXVILLE, TN - VALARIUM
8/28 - N MYRTLE BEACH, SC - HOUSE OF BLUES
8/29 – NORFOLK, VA - THE NORVA
8/30 – SAYREVILLE, NJ – STARLAND BALLROOM
9/1 – MILLVALE, PA - MR SMALLS THEATRE
9/2 – SCRANTON, PA - TINK’S
Singer Mark Hunter commented on the Secret Hometown gig: “Anyone who slept on this in Cleveland is a jackass. This show was a blast and is the closest thing to how it was seeing us in 1999. We can't thank MySpace, The Grog Shop and our Cleveland fans enough!”
CHIMAIRA recently wrapped up a support run on the Music As A Weapon tour with Disturbed, and are now looking ahead to a string of headlining dates leading up to the Decimation of the Nation tour this summer with Hatebreed. Full US tour dates are listed below.
Be sure to visit www.chimaira.com and www.myspace.com/chimaira for the latest CHIMAIRA news.
Chimaira Headlining
7/22 Columbus, OH- Newport Music Hall
7/23 Madison, WI- The Majestic Theatre
7/24 Toledo, OH- The Zodiac formerly Club Bijou (Toledo Metal Fest)
7/25 Louisville, KY- Headliner's Music Hall
7/26 Asheville, NC -The Orange Peel
7/27 Raleigh, NC- Lincoln Theatre
7/28 Lancaster, PA - Chameleon Club
7/29 Poughkeepsie, NY- The Chance
Chimaira w/ DECIMATION OF THE NATION Hatebreed, Wings of Plague, dying fetus, Toxic Holocaust
7/31 - ROCHESTER, NY - WATER STREET MUSIC HALL-
8/1 – FLINT, MI - MACHINE
8/2 - TRAVERSE CITY, MI - THE TERMINAL
8/3 - GREEN BAY, WI - RIVERSIDE BALLROOM
8/4 - SIOUX FALLS, SD - NUTTY’S NORTH
8/5 - DES MOINES, IA - PEOPLES COURT
8/6 - FT. WAYNE, IN - PIERE’S
8/7 – MOKENA, IL - THE PEARL ROOM
8/8 – SPRINGFIELD, MO - REMMINGTON’S DOWNTOWN
8/10 - FT COLLINS, CO - AGGIE THEATRE
8/11 - GRAND JUNCTION, CO - MESATHEATRE
8/13 – BOISE, ID - KNITTING FACTORY
8/14 – SPARKS, NV- NEW OASIS
8/15 – CHICO, CA - SENATOR THEATRE
8/16 - SANTA CRUZ, CA - CATALYST
8/17 – VENTURA, CA - MAJESTIC VENTURE THEATRE
8/18 – POMONA, CA - GLASSHOUSE
8/19 – TUCSON, AZ - RIALTO THEATRE
8/21 - OKLAHOMA CITY, OK - DIAMOND BALLROOM
8/22 – AUSTIN, TX - EMO’S
8/23 - CORPUS CHRISTI, TX - CONCRETE ST AMPHITHEATRE
8/24 – LAFAYETTE, LA - GRANT ST DANCEHALL
8/25 - LITTLE ROCK, AR - THE VILLAGE
8/26 – JACKSON, MS - FIRE
8/27 – KNOXVILLE, TN - VALARIUM
8/28 - N MYRTLE BEACH, SC - HOUSE OF BLUES
8/29 – NORFOLK, VA - THE NORVA
8/30 – SAYREVILLE, NJ – STARLAND BALLROOM
9/1 – MILLVALE, PA - MR SMALLS THEATRE
9/2 – SCRANTON, PA - TINK’S
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