Tuesday, August 2, 2011

Still Flyin' Announce East and West Coast Tour Dates Beginning Later This Month * New Album Out Early 2012



After a 2010 that saw the release of 2 7"s, a 12" EP and a singles collection/remix album called "Neu Ideas" (featuring remixes from the likes of Hood Internet, Love is All, Papercuts and more), San Francisco vs. the World megagroup Still Flyin' has been hard at work for the first half of 2011.

In the midst of mixing a brand new album for release in early 2012, the band is getting ready to head out on a few select east and west coast tour dates to test drive their new songs and introduce a new slimmed down line up.

With new material that the band describes as "Lots of rototoms. Epic snare drums. Huge chorus (the effect and the part of the song)" and numerous personnel shifts (including former Still Flyin' "dancer/hype man" Phil Horan, stepping back behind the drum kit for the first time since his days as the original drummer in Maserati!), this promises to be a new lean and focused version of the group.

Still Flyin' Live!
8/29 Redding, CA - Sue's Java
8/30 - Portland, OR - The Woods
8/31 - Seattle, WA - Comet Tavern
9/1 - Eugene, OR - Black Forest
9/2 - SF, CA - Rickshaw Stop
9/30 Atlanta, GA - The Earl
10/1 Athens, GA - 40 Watt
10/7 Brooklyn, NY - Glasslands


Monday, August 1, 2011

Warm Ghost Premiere First Single "G.T.W.S." On Stereogum || "Narrows" LP Out September 27th On Partisan Records


Some images just stick with you; images like Geist und Blutlache, a spare but spooky portrayal of a ghost staring at a pool of blood. Or is it simply a kid wearing a bone white sheet, standing over a crimson-splashed slab of concrete? Whatever the case may be, Paul Duncan was so captivated by Katharina Fritsch’s work that it helped inspire the name of his equally haunting avant-pop project, Warm Ghost.

“I was about 11 when I first saw that image in a book my art teacher gave me,” says the longtime singer/multi-instrumentalist (see also: a couple solo albums and collaborations with such varied artists as Oren Ambarchi and members of Grizzly Bear, Tortoise, and Bear In Heaven). “I thought it was so simple and beautiful.”

Duality is also one of the driving forces in Warm Ghost’s debut album, Narrows. On the surface, that means every pop element (the comet-like chords of “G.T.W.S.,” the climactic, synth-chased choruses of “Myths On Rotting Ships”) is offset by an experimental one – from flourishes of field recordings to splintered blocks of beats and samples that suggest a life of listening to Aphex Twin, Autechre and fringe icons like Fennesz, Cluster and Chris & Cosey.

“It’s all about making our music more challenging to the ear,” explains Duncan’s bandmate, Oliver Chapoy. “There is so much happening throughout the songs, little sound bursts, hypnotic rhythms that help maintain the balance between an electronic pop album and an experimental one.”

“I made one note to myself before we started this LP,” adds Duncan. “It just said ‘automatic writing’. Words get in the way of music sometimes, and I really wanted it all to feel organic, but with architecture and depth.” The voracious reader also explored the concept of duality and such uncomfortable yet universal topics as the human psyche through Narrows’ richly-woven lyrics. All of which makes perfect sense when you consider Duncan’s influences : such subconscious-skimming writers as Carl Jung, William Gibson and Jorge Luis Borges.

“Humans are all changing from month to month,” he explains. “The only cells we never replace are the ones in our brain. We just call upon unused brain cells when our current ones are damaged or depleted. So there are small channels or neurological waterways that connect all things that make us up. That’s definitely what the record is about…and making wry humor out of the pretension of that assumption.”

Links

www.facebook.com/warmghost

www.warmghost.com

www.twitter.com/wrmgst

Penguin Prison News

PENGUIN PRISON
THE DEBUT ALBUM - COMING THIS FALL
(downtown records)

WATCH
'FAIR WARNING'
(OFFICIAL VIDEO)



I definitely wanted to make a pop album where every song was good, catchy and people can dance to it,” says Chris Glover akaPenguin Prison, who aims to perform his songs all over the world and make people dance, much like his funk-forefathers Jackson and Prince did when he was growing up in NYC during the 1980's. “(the album) was hard work to make, but I tried to have fun. I made sure of that. If I didn’t jump around the room while I was recording a song, it didn’t make the cut. Fun is the key.”

Indeed, there’s certainly no denying Penguin Prison has made a superb debut record due this fall on Downtown Records in the U.S. If you’re a fan of New York disco, as accessible as it is angular, all burbling bass lines, resonant rhythms, shimmering synths and heavenly melodies, then you’ll love everything that is Penguin Prison.

Penguin was born at the dawn of electrofunk, in 1983 - the postdisco era of Peech Boys’ "Don’t Make Me Wait" and D Train’s "You’re The One For Me" - and grew up, an only child, in Manhattan. He went on to become Penguin Prison at the start of 2009 and it wasn’t long before he earned a reputation as remixer du jour for the likes of Marina and the Diamonds, Natalia Kills, Goldfrapp and Passion Pit.

Penguin Prison's remixes are more like reinterpretations than anything else, which is exactly why his signature production imprint has become a high commodity and much sought for assett in anyone's musical career these days. It was only a matter of time before Chris would then go on to record and share music of his own, which he began to do so in early 2010. Thankfully, you can now hear the spectacular results on his debut Penguin Prison album, which sounds to all intents and purposes like a Greatest Hits collection, so chock-full it is of catchy hooks and classic pop choruses, you might just begin to pop your collar again, like it's 1984.

The Black Angels Announce Fall Tour



The Black Angels are excited to announce a fall headlining tour in support of their latest release,Phosphene Dream, out now on Blue Horizon. The tour kicks off in Houston, TX on October 13th and concludes in Nashville, TN on November 5th. Tickets go on-sale on August 5th. The New York Timesrecently caught the band headlining 4Knots Festival, noting the Black Angels "play psychedelic rock as if the 1960s never ended, and they are absolute masters of it."

It has been a busy summer for the Black Angels, with appearances at Bonnaroo and Fuji Rock in Japan, on MTV's 120 Minutes and NPR's World Cafe, and an Australian tour. The band also hosted their ever-growing Austin Psych Fest for its fourth and highest attended year yet. This tour follows an incredibly successful spring headlining tour, selling out over 20 of the dates. Earlier, the Black Angels set out on co-headlining tour with Black Mountain in support of Phosphene Dream, which BBC declared "rock album of the year, if anyone's counting."

Phosphene Dream marks a huge leap forward for The Black Angels. It was produced and mixed by Dave Sardy (Oasis, Wolfmother) in Los Angeles, a far stretch from the cozy Austin studios that delivered their first two records. This new one presents a fresh take on the neo-Psychedelic movement they've been at the forefront of for years.

The Black Angels Fall US Tour:

08/06 - Kanrocksas - Kansas City, KS

08/27 - Whitewater Ampitheater - New Braunsfels, TX

09/24 - El Cosmico - Marfa, TX

10/13 - Fitzgerald's Upstairs - Houston, TX #

10/14 - The Prophet Bar - Dallas, TX #

10/16 - Old Rock House - St. Louis, MO #

10/17 - Fine Line Music Cafe - Minneapolis, MN #

10/19 - Newport Music Hall - Columbus, OH #

10/20 - Metro - Chicago, IL #

10/21 - Headliners - Louisville, KY #

10/22 - Southgate House - Newport, KY #

10/24 - Lee's Palace - Toronto, ON #

10/25 - Cabaret Mile End - Montreal, QC #

10/26 - Middle East Downstairs - Cambridge, MA #

10/27 - Union Transfer - Philadelphia, PA #

10/29 - Music Hall of Williamsburg - Brooklyn, NY @

10/30 - Music Hall of Williamsburg - Brooklyn, NY #

10/31 - Music Hall of Williamsburg - Brooklyn, NY &

11/01 - The Ottobar - Baltimore, MD #

11/02 - Ziggy's - Winston-Salem, NC #

11/04 - The Masquerade (Hell Stage) - Atlanta, GA #

11/05 - Exit / In - Nashville, TN #

# with Dead Meadow & Spindrift

% with Dead Meadow

@ with Special Guest (TBD) & Spindrift

& with Psychic Ills, Exit Music

Body Language Premiere First Single "Social Studies" On Pitchfork || 'Social Studies' (Deluxe Edition) EP Out October 4th

Body Language Premiere First Single "Social Studies" On Pitchfork
Social Studies (Deluxe Edition) EP Out October 4th On Lavish Habits / OM Records
Release Free Toro Y Moi Remix, Announce US Dates


“Is this a dubstep record?”

Not quite, although Body Language’s Social Studies EP certainly starts off that way—with a thick, top-heavy baseline absolutely hammering your speakers. Ah, but then the synths kick in like laser canons, leading us all down a neon-lit wind tunnel that’s lined with lean loops, galloping grooves, and head-circling hooks. Which begs one simple question: what is this, really?

“The title sums it up perfectly,” explains Grant Wheeler, who sings and swaps instruments alongside his longtime production partner/lead vocalist Matt Young, glockenspiel guru Angelica Bess, and drummer Ian Young. “Depending on the day, we’re producing indie music, DJing house, disco and Detroit techno, or writing pop songs on the piano. So we wrapped our record up like a tidy textbook of genres, or different cultures in a social studies class.”

And like any decent textbook, Body Language have a lot of history behind them, starting with the weekly parties Matt and Grant used to throw at a dive bar in Connecticut. The residency led to their love of dance music and a need for homemade club edits of everything from Billy Ocean to Don Henley. Not only that; the pair also started to tackle their own tracks, with Angelica eventually rounding out their ever-evolving sound and Ian stepping into his rhythm section role on the eve of a Bowery Ballroom show with Passion Pit. That billing wasn’t an isolated incident, either. As it turns out, Body Language lent their programming skills to several tracks on Passion Pit’s breakthrough album. They’ve also worked with such wildly different artists as Theophilus London, Machinedrum, and Fur.

But enough about the magic Body Language have brought to other records. This fall’s Social Studies EP—a tidy collection of four limited 10’’ singles—is a fitting followup to their 2009 debut Speaks, applying a refined pop palette to sample-splitting melodies (the title track), dollops of disco (“Falling Out”), and what can only be described as pure analog bliss (“You Can”).

“I suppose it sounds selfish,” says Grant, “but we wrote what we wanted to write. We get the same joy and satisfaction out of losing our shit behind a pair of turntables as we do singing four-part harmonies.”

Which explains why Green Velvet and Grizzly Bear get equal time on the group’s hi-fi, and with a proper LP already in its planning stages, let’s just say they might actually sound exactly like Billy Ocean by the time it’s done. Who knows. We can only hope, right?

***************************************

"Body Language gets the job done. They are a band of pomp and circumstance. They go to war with their music, armed to the teeth with it. They gyrate and dance, they sweat and they bleed. They get passionately lost in their own performances (for the record I’ve seen them 4 times live). Seen live, their music generates abandonment, of time and place. The sonic landscape of bells, whistles, synths, bass and the vocals coagulate. The beat drives, the bells chime and one feels as if they’ve entered a royal procession…" - Pomp And Circumstance

"Brooklyn's body language is the personification of DIY nu-disco. dripping with soulful sexiness, their ballad "you can" is a silky-smooth, honey-drenched example of aural carnality. (or maybe i'm just too horny.)" - The Pop Sucker

"Theres very little hipster themed porn out there, but if they wanted to make more they gotta start using this seductive Social StudiesEP. Body Language is a four-some electropop band that specialises in songs with a lot of energy and enthusiasm that are great to grind up on somebody to. They have a funky retro electronic sound but with more R&B swagger to their beats then any other emerging Electropop band. Lead singer Angelica Bell sounds sexy as hell with her Donna Summer like vocals, backed by the amazing synths and chorus of this very talented group." - This Band Is Sick

"I can’t really dance unless I’m inebriated (heavily inebriated, at that), but some music still gets my ass movin’ no matter where I’m at. And thanks to the homie Ross (aka Datahowler), I have some new tunes to turn my goofy-self into a dance machine. Or, at least, a shimmying machine. He recently tweeted that he had found a killer new EP from the group Body Language. And after investigating, I am inclined to agree with his assessment. This quartet makes some funky, sensual music that deserves to be heard on a grander scale. " - Pot Holes In My Blog


Links


Click Here To Download & Share "Social Studies"

Free Download - At a Glance (Toro Y Moi Remix) + Toro Y Moi - Timed Pleasure (Body Language Remix)

Click Here To Pre-order 10" And Receive Free Rio Blanco Remix


US Tour Dates

8/05 - Northampton, MA - Bishop's Lounge
8/06 - Brooklyn, NY - Cameo Gallery
8/12 - New York, NY - Hotel Chantelle Rooftop (DJ Set)
8/17 - San Francisco, CA - Hotel Vitale
8/18 - San Francisco, CA - Rickshaw Stop presented by Pop Scene
8/20 - High Tide (DJ Set)
8/20 - Pomona, CA - The Glass House

NPR Features Brown Bird's Show-Stealing Newport Folk Festival Set; 'Salt for Salt' Out 10/18 on Supply & Demand

NPR Features Brown Bird's Show Stealing Live Set from Newport Folk Festival

Upcoming East Coast Shows, Dates with Dark Dark Dark Announced

New Album Salt for Salt Out October 18th on Supply & Demand


DOWNLOAD/STREAM: Brown Bird Live from 2011 Newport Folk Festival (via NPR)
DOWNLOAD: "Fingers To the Bone" (mp3, taken from the Salt for Salt LP)

Providence, RI duo Brown Bird recently announced the arrival of Salt for Salt, their new full length album being released October 18th, 2011 on Supply & Demand Music (home to Dark Dark Dark, Vandaveer, etc). It's an album that is best listened to in a room made of wood, where the warm layers of guitar, banjo, violin, double bass, cello, and bass drum (wooden rim) would hang as thick as they were meant to be. The album artwork (below) was illustrated by Will Schaff (Okkervil River, Godspeed! You Black Emperor, Songs:Ohia).

The band played the Newport Folk Festival this past weekend, and among a handful of great performances from everyone from Elvis Costello to The Decemberists, Brown Bird had the home court advantage and set the roof off of the Harbor Stage, arguably stealing the show for the weekend. NPR is offering up the entire live set for free download or stream, and remarked that "The festival helped Rhode Island's Low Anthem make the jump from volunteer trash collection at the festival to featured artist, and it lent a big boost to Boston's David Wax Museum last year. This time around, the Providence, R.I., duo Brown Bird looks to make a similar jump from unknown to rising star." The band also made it into WBRU in Providence, RI for a searing live performance, playing the barn-burning "Blood of Angels." With similar accolades already coming in under a day from the Boston Globe, Providence Journal, WERS Boston, and others, it's clear that Brown Bird's time has finally come.
***





Click Here or Above for Brown Bird Performing "Blood of Angels" on WBRU

***
More info on Brown Bird:

Recorded live to tape in Pawtucket, RI, Salt for Salt is the first album by Brown Bird to capture the intense energy of the duo's live show, surging in waves that often swell into high-spirited,
foot-stomping madness. David Lamb's lyrics are as well-written as they are emotionally intelligent, thankfully avoiding the pitfalls of the wish-wash known as "modern-folk" or "singer-songwriting".Lamb and his partner MorganEve Swain write simply, and the record is eerily sparse at times - a tambourine, a bass drum and the cello often the sole accompaniement to Lamb's (what a name) cracked, wood-smoke voice.

Brown Bird are also not afraid to write experimentally either. "Ebb and Flow" and "Shiloh" (the latter a longer, entirely instrumental track) each boast melodies worthy of a dervish, the melodic structurereminiscent more of Turkish or Greek rebetika than old-time or bluegrass. Lamb and Swain work beautifully together, with his banjo providing a backbone to a fiddle break, her harmonies a lonesome echo of the melody. But Brown Bird also know too much to be pure romantics; Lamb's continual reference to ships clearly come from his years spent working at the shipyard in Warren, RI, just as their arrangements well only from a deep knowledge of the American folk tradition.

Paring down from five musicians on their last album to the duo of Lamb and Swain on "Salt For Salt" resulted in some necessary instrument changes. Swain, a lifelong violinist, spends most of the album on cello and double bass, instruments she picked up in the past two years. Lamb has a kick drum and woodblock/tambourine rigged to a second pedal in front of him, using his whole body and voice to carry the rhythm and melody simultaneously. This new configuration propels each song forward with a blur of hands, feet and voices.

A cantankerous and drafty two-man ship stationed in Providence, RI, Brown Bird plays original, traditional American music in the best sense possible. It is music that comes from a context but is not afraid of the context: a living root with a view towards the leaves.
--
Upcoming Brown Bird Tour Dates:
Saturday, August 13th - Providence, RI - Lupo's (supporting ZOX)
Saturday, August 20th - North Hampton, NH - Runnymede Folk Festival
Friday, September 9th - Montpelier, VT - Black Door
Saturday, September 10th - Montgomery Center, VT - Snowshoe Lodge
Friday, September 16th - Oneonta, NY - Oneonta Theatre
Saturday, September 17th - Alfred, NY - Alfred University
Thursday, September 22nd - Boston, MA - Great Scott
Friday, September 23rd - Portland, ME - SPACE
Monday, September 26th - Portsmouth, NH - The Red Door
Friday, September 30th - Philadelphia, PA - World Cafe Live
(supporting Dark Dark Dark)
Saturday, October 1st - Providence, RI - The Met (supporting Dark Dark Dark)

Brown Bird Official Site
Brown Bird Facebook

HAKEN: Sophomore Album Details & Trailer Posted; Band Prepares For ProgPower USA

HAKEN: Sophomore Album Details & Trailer Posted;

Band Prepares For ProgPower USA

London-based progressive stalwarts HAKEN have announced the details on their completed upcoming sophomore full-length concept album, entitled Visions.

This new opus is in its final stages of completion now , and is set for North American release on October 25 via Sensory Records -- the label having also released HAKEN's acclaimed 2010 debut, Aquarius. In a statement made this week about the new album, HAKENvocalist Ross Jennings ensures: "We are confident this album will not disappoint fans of Aquarius. As well as pulling some signature stunts, we are also trying to raise the bar with our compositions, and as individual players. We poured everything we've got into this album; it's been a really emotional year for us and hopefully that comes across in these songs."

Check out a brand new Visions trailer, created by the band, as well as the cover art for the album, posted at this location.

Visions will be made available early to fans in attendance at this year's ProgPower USA festival in Atlanta, Georgia, on September 16 where HAKEN are set to make their North American debut live appearance alongside labelmates Creation's End and Voyager, as well as Therion, Labyrinth, Ihsahn, Dream Evil, Sanctuary and more.

Visions Track Listing:

1. Premonition
2. Nocturnal Conspiracy
3. Insomnia
4. The Mind's Eye
5. Portals
6. Shapeshifter
7. Deathless
8. Visions

Stay tuned for more updates on HAKEN as Visions nears release date and the band set sail for American shores in the weeks ahead.

http://www.hakenmusic.com

HAKEN @ Facebook

http://twitter.com/Haken_Official

http://www.myspace.com/hakenmusic

HATEBREED CONFIRM DATES WITH FIVE FINGER DEATH PUNCH, ALL THAT REMAINS



HATEBREED have confirmed a handful of tour dates on the "SHARE THE WELT TOUR" supporting FIVE FINGER DEATH PUNCH and ALL THAT REMAINS. Tickets for these dates go on sale this weekend to the general public, but VIP packages with pre-sale tickets will be available at 5FDP.com starting Wednesday at 10am CT. More dates TBA.

10/16 San Francisco, CA @ The Warfield
10/17 Medford, OR @ Medford Armory
10/19 Salt Lake City, UT @ The Great Slat Air
10/22 Denver, CO @ First Bank Center
10/25 Boise, ID @ Taco Bell Arena
10/26 Reno, NV @ Knitting Factory
10/28 El Paso, TX @ Speaking Rock Entertainment Center (not SHARE THE WELT)
10/29 San Antonio, TX @ Sunken Garden
11/1 Little Rock, AR @ Clear Channel Metroplex Event Center
11/2 Oklahoma City, OK @ Diamond Ballroom

HATEBREED released their self titled record in 2009 to plenty of critical accolades. Most notably, Revolver Magazine declared the band "The Biggest Band in Hardcore" in their cover story on the band.HATEBREED released a few music videos supporting this album, most notably for their single "In Ashes They Shall Reap" which can be seenHERE.

HATEBREED "S/T" can be purchased on iTunes HERE.

Mates of State Announce More US Tour Dates

Mates of State Announce More U.S. Tour Dates

Connecticut-based indie-pop duo Mates of State have announced a second leg of tour dates in the U.S., beginning October 26th in Birmingham, AL. Starting on September 21st, the band will tour the East Coast, kicking off at D.C.'s 9:30 Club and wrap up their trek after stopping in the South and ending in the Midwest on November 21st, where they will play Cleveland's Beachland Ballroom just in time for Thanksgiving. Along the way, the band will be performing in such historic venues as New York City's Webster Hall and Los Angeles' Music Box. Suckers, Yawn, Other Lives, and Generationals will all share in support along the tour. For a full list of tour dates and accompanying support, please see below.

The tour is in support of the band's forthcoming record, Mountaintops, which will be released on September 13th via Barsuk Records. Mountaintops is the band's full-length follow up to 2008's critically acclaimed Re-Arrange Us. The self-produced album was written and recorded over the last year and a half in 6 different studios with multiple different engineers. For complete track listing, see below.

Mates of State U.S. Tour Dates


9/21 - Washington DC @930 Club *#
9/22 - Cincinnati, OH - Mid Point Music Festival
9/23 - Pittsburgh, PA - Mr. Smalls *#
9/24 - Philadelphia, PA - Popped Festival
9/26 - Boston, MA - Royale *#
9/27 - Montreal - Il Motore *#
9/28 - Toronto - Phoenix Concert Theatre *#
9/29 - Detroit - St. Andrews *#
9/30 - Chicago - Metro *#
10/1 - Columbus, OH - Newport Music Hall %#
10/3 - Asheville, NC - The Orange Peel %#
10/4 - Nashville, TN - Exit/In %#
10/5 - Charlotte, NC - Visulite Theatre %#
10/6 - Atlanta, GA - Drunken Unicorn %#
10/7 - Orlando, FL - The Social %#
10/8 - Sunrise, FL - Langerado Festival
10/10 - Richmond, VA - Canal Club %#
10/11 - Baltimore, MD - Ottobar #%
10/12 - New York, NY - Webster Hall %

10/26 - Birmingham, AL - WorkPlay Theatre $

10/27 - Tallahassee, FL - Club Downunder $

10/30 - Little Rock, AR - Revolution Music Room $

10/31 - St. Louis, MO - The Firebird $

11/01 - Tulsa, OK - Cain's Ballroom $

11/02 - Dallas, TX - Granada Theater $

11/04 - Houston, TX - Fitzgerald's $

11/07 - Tucson, AZ - Plush $

11/08 - Los Angeles, CA - The Music Box $

11/12 - Salt Lake City, UT - Urban Lounge $

11/13 - Denver, CO - Bluebird Theater $

11/15 - Kansas City, MO - Record Bar $

11/16 - Omaha, NE - The Waiting Room $

11/18 - Minneapolis, MN - Fine Line Music Café $

11/19 - Milwaukee, WI - Turner Hall Ballroom $

11/21 - Cleveland, OH - Beachland Ballroom $

* w/ Suckers

# w/ Yawn

% w/ Other Lives

$ w/ Generationals

GOREAPHOBIA: Full Album Stream Brought To You By Revolver!

Beginning today, Revolver Magazine will be hosting an exclusive stream of GOREAPHOBIA's Apocalyptic Necromancy, the upcoming new full-length from Philadelphia's filthiest death metal brigade. Set to drop on August 9, 2011 through new label home, Dark Descent Records, the follow-up to 2009’s Mortal Repulsion was recorded, mixed and mastered by drummer Jim Roe and features new guitarist VJS (Kult ov Azazel, Crimson Moon, Demoncy, etc.). The stream will run from today through August 8, 2011.

Check out Apocalyptic Necromancy, as well as an interview with vocalist/bassist Chris Gamble HERE.

In related news, the death metal battalion will appear on The Gathering Of The Bestial Legion V fest on August 27 at The Proud Bird in Los Angeles, California. GOREAPHOBIA will play alongside Autopsy, Incantation, Acheron, Ares Kingdom and many more. For tickets and further info, visit:http://www.ironroom.com.

.............................................

"For anybody who likes some good, dirty, grimy old school death metal, look no further than the newest release from Philly’s GOREAPHOBIA." -- Blistering
"...a natural progression for GOREAPHOBIA, and will appeal to anyone looking for something a little different to go along with their daily dose of death metal." -- About.com
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